DaCosta questions whether the timing hurt its performance—“maybe too soon, because people were like, ‘Oh yeah, I saw that last summer!’” She does not, however address Sony’s January release strategy.

Is it possible that many fans were so genuinely dissatisfied with Disney’s Star Wars sequel trilogy that it has led them to repeatedly revisit George Lucas’s prequels for pure nostalgia and comfort?

Back in May 2025, production on “Later the War” had come to a sudden shutdown. Cast and crew departed the set, with one of the Polish producers pulling out of the project altogether.

“King Snake,” which recently began production in Arkansas, has been acquired by Neon. The project reunites Nichols with longtime collaborator Michael Shannon, with Margaret Qualley and Drew Starkey

Stillman is set to direct “A Night at Claridge’s,” his first feature since 2016’s “Love & Friendship.” The film reunites him with Adam Brody and also stars Laura Carmichael in the lead.

Gálvez’s “The Settlers” competed in Un Certain Regard and for the Caméra d’Or at Cannes. The film won the FIPRESCI critics’ award, marking the first Chilean film to receive the prize.

It’s not like Netflix doesn’t spend an inordinate amount of money on some of its titles—every year you’ll see a couple of $150–200M productions, but “Narnia” goes beyond that.

It’s not necessarily a rise-and-fall biopic so much as a slice-of-life portrayal of a moment that greatly shaped Bourdain’s inevitable rise in the culinary and cultural world.

A trailer for Christopher Nolan’s “The Odyssey” is now online. It was premiered tonight, at midnight, and will no doubt be dissected by many in the hours to come.

Paramount has set a January 14, 2028 release date for Nicolas Cage–starring “Longlegs” sequel, to be directed, yet again by Osgood Perkins.

The project would be part of Cruise’s recent deal with Warner Bros., which allows him to produce and star in films for the studio.

What started as a behind-the-scenes drama turned full-on courtroom franchise has now ended not with a bang, but a handshake and a mutual “let’s just move on” energy.

This year, I’ve noticed the debate about the unusually large gap between movie critics and general audiences coming up again, especially around major blockbusters.

The Cannes Film Festival has finally revealed its 2026 competition jury, a nine-member international panel of filmmakers, actors, and writers who will decide the winner of this year’s Palme d’Or.

Patrick Schwarzenegger has joined the cast of S. Craig Zahler’s The Bookie & The Bruiser, stepping into a dual-role setup opposite Vince Vaughn, Theo James, and Fred Melamed.

Amazon/MGM has decided that “Artificial” won’t be released in the fall — instead it is now aiming for an early 2027 release because it “didn’t want the film to go up against ‘The Social Network’ sequel.”

If there’s one film that has only been gaining momentous appreciation since its release, at least with audiences worldwide, it’s Christopher Nolan’s “Interstellar.”

“Tony” is directed by Matt Johnson. Emilia Jones, Antonio Banderas, Leo Woodall, Rich Sommer, and Stavros Halkias (!) are also part of the cast.

In an interview with Douglas Greenwood, Korine — quite surprisingly — professes a desire to return to non-EDGLRD cinema, the type of narrative films that made him a household name.

The Cannes Film Festival has not yet officially announced its full jury lineup, but reports suggest a very good reason why there has been such a delay.