That’s a wrap on What Happens at Night in Prague. All that’s left is interior shooting in New York City this month. It’s turning into one of Martin Scorsese’s shortest shoots in years.

Hawley, has decided to give cinema another shot. He has set up his sophomore directorial effort, “Terrified,” with Warner Bros., a remake of the Argentine supernatural thriller.

Was there any doubt it would actually keep it? While the original title raised more than a few eyebrows — there seems to be this broader push to position the comedy for multiplex audiences.

Coppola has described ‘Glimpses’ as a “strange 30s-style musical.” No cast has been announced so far. This will be a loose adaptation of Edith Wharton’s novel of the same name.

When an artistic misfire like “The Bride!” occurs, contrarian opinions are inevitable, and claims that the film has been “misunderstood” are bound to emerge.

Previously, Michael Lesslie—known for “The Ballad of Songbirds & Snakes” and “Now You See Me: Now You Don’t”—was scripting the film, revising an earlier draft by Aaron Rabin and Zach Dean.

“Michael,” which has a runtime of 127 minutes—only half of the original four-hour cut—stars Jafaar Jackson as the “King of Pop.” The ensemble includes Colman Domingo, and Miles Teller.

Here’s the trailer for Olivia Wilde’s “The Invite,” picked up by A24 at Sundance for $12M and now set for June 26 release this summer.

Oh, boy. Here’s an update on that “anti-woke” Amazon/MGM-produced “Basic Instinct” reboot: none other than Emerald Fennell has seemingly been tapped to direct this thing.

Warner Bros. is ready to roll on “Gremlins 3.” The film, dated for November 19, 2027, will start production in late summer, and casting is well underway.

“Parallel Tales” set in Paris, features an impressive French cast, including Isabelle Huppert, Virginie Efira, Vincent Cassel, Catherine Deneuve, Pierre Niney, and Adam Bessa.

The upcoming comedy, directed by Judd Apatow and starring Glen Powell, will be titled “The Comeback King.” At the same time, the film has officially begun production and unveiled its first poster.

Daniel Goldhaber’s “Faces of Death” opens in four days, and with the review embargo now lifted, things are looking pretty good for the much-delayed, controversial film.

Just last year, Soderbergh stated that he had cooked up a “terrifying” idea for the “Contagion” follow-up. From all indications, he was genuinely serious about bringing it to life.

An update on Alex Garland’s “Elden Ring,” which I tackled over the weekend and is set to start production this week: Nick Offerman has joined the cast in Scotland.

Yes, it’s dour, uneven, and clearly the product of too many cooks, but the film’s grim fatalism and stripped-down atmosphere is something legacy sequels rarely do these days.

It does sound as though, if Peter Jackson ever directs again, then it’ll be the animated sequel to Steven Spielberg’s 2011 film, “The Adventures of Tintin.”

I can’t think of any other year, at least in the last fifteen or so, that has been this hard to predict — the room for surprises is more apparent than ever.

1956 is forever etched in my movie world because of five films that seemed to arrive from different planets, each uniquely orchestrated to reshape the medium.