It looks as though Netflix has axed Gia Coppola’s “Perfect,” which will no longer be moving forward at the streamer after star Millie Bobby Brown exited the project.

Neon is in talks to acquire Na Hong-jin’s “Hope.” The film stars Michael Fassbender and Alicia Vikander in lead roles, and will be in Cannes 2026 competition.

Vertical has now acquired the U.S. distribution rights to ‘Lord of War 2,’ and the film is slated for a 2027 theatrical release, with first footage set to be previewed at CinemaCon next week.

Jim Jarmusch is coming off his Golden Lion win at Venice for “Father Mother Sister Brother,” but he will not be resting on his laurels, as he’s already preparing to shoot his next film.

No release date has been set for this “X-Men” reboot, but Marvel currently has three release dates lined up for 2028 — May 5, July 28, and December 15.

I doubt there will be a longer film in this year’s competition. If you’re not a fan of Hamaguchi, consider yourself warned. For everyone else, it’ll be bliss.

I don’t know how much Marvel paid Robert Elswit to be cinematographer on this upcoming “Punisher,” but they clearly watched his night scenes in “Nightcrawler” and said, “We want THAT.”

Herzog completed filming on “Bucking Fastard” in May 2025. The film stars Kate and Rooney Mara as twin sisters, Joan and Jean, who live on the margins of society.

Zach Lipovsky and Adam B. Stein, who were not that well known before “Final Destination: Bloodlines,” have turned into much sought-after filmmakers.

‘Resident Evil’ has a trailer ready to release next week. If that’s the case, then I assume it’ll first debut during Sony’s CinemaCon panel on April 13 and drip online not too long after that.

Hill returns to the director’s chair with “Outcome,” which is being produced by Apple Original Films. The film was shot in early 2024 and has had some delays since then.

Blumhouse probably should have kept the original test-screening title, “The Resurrection,” because, if anything, Cronin’s film is looking more and more like an ‘anti-Mummy’ statement.

More Cannes first looks. This one is for Belgian filmmaker Lukas Dhont’s “Coward,” playing in competition, following his first two films, which also premiered on the Croisette.

Cannes boss Thierry Frémaux has now addressed speculation about whether James Gray could bring his new film “Paper Tiger” to Cannes, offering cautious optimism.

Netflix has finally acknowledged the existence of Brad Bird’s “Ray Gunn,” sharing the first official images of the upcoming neo-noir sci-fi action animated movie.

How odd that Nicolas Winding Refn, who has had his last three films compete for the Palme d’Or, will now be relegated to an out-of-competition slot at Cannes with his latest, “Her Private Hell.”

The 79th edition of the Cannes Film Festival has announced its lineup. A total of 21 films have so far been confirmed to compete for the Palme d’Or.

Fandango recently surveyed more than 6,000 movie ticket buyers to find out which films they’re most excited to see this upcoming summer — and the results emphasize audience preference for IP.

If you look up Italian articles about this upcoming production, you’ll notice Vittorio Storaro’s name mentioned as the potential cinematographer.

Cannes is putting the finishing touches on the lineup for its 79th edition, and to say this will be an eclectic mix of filmmakers vying for the Palme d’Or would be an understatement.