Chalamet voices Joe, an “introverted rocket mechanic who lives a quiet life alone,” according to a press release, while Gomez plays Fran, a “brilliant astro-botanist who is developing the world’s first-ever plant-fueled rocket.”

Although it flew under the radar in 2024, “Kneecap,” the unconventional biopic about the Irish-language hip-hop trio, impressed Netflix enough to hire director Rich Peppiatt for a period-set epic.

Officially, Andy Muschietti is still attached to direct “The Brave and the Bold,” but many have speculated about his potential exit ever since the failure of “The Flash.”

There seems to be confusion about today’s contradictory reporting on how much money “Supergirl” actually stands to lose, and that’s precisely what Warner Bros. wants.

In case you didn’t know this wild story, Rinsch defrauded Netflix out of $11M. The money was part of a $61M deal the streamer struck with him in 2019 for his sci-fi project “Conquest/White Horse.”

With half the year done, I guess we can talk, albeit very speculatively, about the Best Picture Oscar contenders that have been screened so far. There aren’t many.

We now live in a world where Uwe Boll is being described as a “bold” and “fearless” filmmaker online for making a film that nobody in their right mind would dare make in Hollywood.

“Maika [ Monroe] is back for this, and [cinematographer] Mike [Gioulakis], and the editor, Julio [Julio C. Perez IV],” as well as Disasterpiece who will once again compose the score.

This new cut will feature 15 minutes of bonus footage and be retitled “Backrooms: Everything Must Go Edition.” The new version will run 2 hours and 6 minutes.

Netflix is still holding tight to “Gore,” ready since 2017, the long-buried biopic starring Kevin Spacey as Gore Vidal, with zero interest in selling it off.

Tonight’s a full moon, which means Focus has decided it’s best to release the first trailer for Robert Eggers’ “Werwulf.” Enjoy.

UPDATE: I can confirm reports of Rogen’s casting are not true. He’s not joining the film, per a source close to the production.

What better honor to have on your 100th than the American Film Institute deciding to officially change the order of their 100 Best Comedies of All Time list, as an “honorary” reorganization

Quite interesting how DC Studios film chief Peter Safran decided to give a statement to The New York Times about “Supergirl” underperforming with a $38M debut weekend.

“I believe in early failure,” she tells Variety. “If you go through that, the way ‘Don’t Worry Darling’ did with a 38% on Rotten Tomatoes, there’s liberation.”

“Humpty Dumpty X,” directed by Kaye, is a documentary tackling his side of the story. Kaye even goes undercover, filming and exposing the people he was battling over the final cut.

Quite incredibly, Supergirl‘s numbers have only gotten worse, and it’s now expected to earn just $38M this weekend after a $10M Saturday.

“Ray Gunn” is set to premiere direct to streaming on December 18, with no theatrical rollout planned, for now.

Christopher Nolan, whose latest film tackles an oft-told 8th-century story, tells The New York Times that studios should take more risks with their blockbusters.t

An update on Mike Flanagan’s own production company website has seemingly confirmed what I posted months ago: the title of Flanagan’s upcoming ‘Exorcist’ reboot is “Exorcist: Martyrs.”