A PG-13, 132-minute stop-motion epic that cost $100M+ opens this weekend, with glowing reviews to boot, and almost nobody cares.

Reviews are not as ideal as expected, but the silver lining for DC Studios is that, at $44M, “Clayface” doesn't need to be a blockbuster hit to avoid break even point.

This latest batch of images makes it all the more baffling that, with the film barely five weeks from release, we still don't have an official poster, nor have we gotten a full-course trailer.

It sounds like Amazon/MGM has decided to cut the rollout of "Ali G: Who Iz I?," Sacha Baron Cohen's latest prank-filled improv comedy, even shorter. The film hits theaters this weekend, by the way.

The real test comes this weekend, when A24 expands "You Can See Everything" to 2,500+ screens. Wouldn't it be something if it ended up at #1? “Clayface” stands in its way.

Elordi is somewhat fresh faced, but he's not British and he's not unknown. Lowden is British but will be pushing 37 when cameras roll. And then there's that third mystery actor, who has barely been speculated about

Ron Howard's "Alone at Dawn" has been rated R. Amazon/MGM just dated the film for Christmas 2027. That's over a year away. Yet here we are, with the film rated, and post-production complete.

Denzel playing a broken ex-cop with nothing to lose, under McQuarrie's direction? We all know Washington loves to attach himself to redemption stories. It's his bread and butter.

So, let me get this straight. “Obsession,” a horror movie, is a comedy according to the Golden Globes. “Michael,” a movie where Michael Jackson sings and for two hours, is not a musical.

Two weeks ago, I reported that James Wan's remake of the Korean film "The Gangster, The Cop, The Devil" for Paramount was scheduled to start production in April 2027. We now have a lead.

Here's our first look at Dwayne "The Rock" Johnson, 54, on the New York City set of Benny Safdie's "Lizard Music," a live-action/CGI hybrid now set for a Christmas 2027 release.

So, this is interesting. Two movies. That's what David Fincher says he was handed when Quentin Tarantino's screenplay for “The Adventures of Cliff Booth” landed on his desk.

“The Prestige” is the filmmaker’s latest set for re-release. It'll play in 70mm and, for the first time ever, IMAX — with 35mm and digital 2D showings also on the menu.

This is all quite the 180 when you consider that for years, Ted Sarandos insisted that theaters were not a major part of Netflix's film plans. Those plans have now clearly changed, and a new era might be coming.

Saulnier is, of course, the filmmaker behind "Blue Ruin," "Green Room" and "Rebel Ridge." A24 landed this latest project a little over a year ago after a heated bidding war that included Netflix.

Amazon/MGM Studios has dated the live-action/CGI hybrid, starring Dwayne Johnson and directed by Benny Safdie, as a family-friendly holiday movie for December 25, 2027.

Nathan Fielder and Lance Oppenheim's "You Can See Everything" has been in theaters for, what, three days? And it's already the highest-rated feature film of all time on Letterboxd.

Quentin Tarantino doesn't usually put modern-day filmmakers on his level. That’s just how he is. David Fincher seems to be the one exception.

At the top, it's John Malkovich's to lose. He is a lock for Martin McDonagh's "Wild Horse Nine.” This would be his first lead nod. A late-career Malkovich comeback in a McDonagh movie? I'm all for it.