“The Invite” was the biggest sale out of this year’s Sundance, with A24 acquiring it for $12M. If the strong reviews translate into Oscar nominations, then it could prove to be a worthwhile investment

A federal judge has temporarily blocked the proposed $110 billion Paramount–Warner Bros. merger, giving a 12-state coalition more time to pursue its antitrust challenge.

Benny Safdie’s “The Smashing Machine” was so underwhelming that I completely forgot he’s supposed to shoot a new film this year — yet again starring Dwayne Johnson.

Blomkamp has decided to make it known to the world, via an X announcement, that he’s now pursuing a new AI-focused filmmaking venture.

Speaking on the “Happy Sad Confused” podcast, Feige said bluntly, “I am feeling like a gigantic loser and failure that we didn’t get off the ground with Mahershala.”

Given the festival’s labeling, we also have a better idea what might show up at Venice and Telluride. As far as Venice goes, these TIFF Canadian and North American premieres look to be headed on the Lido.

Marvel has decided it’s finally time to unveil the trailer for ‘Doomsday.’ This $400M-cost monster of a movie could be a make-or-break moment for the MCU—but who are we kidding? It’s going to make money.

The screening took place after Cruise reportedly arrived too late for an earlier showing and instead invited AMC employees to join him for a private screening.

I agree with Variety‘s Owen Gleiberman that the so-called “Final Cut” of “Manhunter,” just released, is actually an inferior version of the film. It only reinforces my skepticism toward director’s cuts.

That $264M global number is the biggest of Nolan’s career, besting “The Dark Knight Rises” ($249M), “The Dark Knight” ($199M) and “Oppenheimer” ($174M).

Colman Domingo has been tasked with co-writing a live-action take on Disney’s animated 2009 feature, “The Princess and the Frog,” or an untitled Princess Tiana story.

Dickinson was previously considered a top-tier candidate, ranking within the top four on the studio’s shortlist.

Nolan says we shouldn’t expect another film from him anytime soon. The Oscar-winning director admits that he plans to step away for a while, indicating it will be “at least three years” before his next movie.

Fresh off being announced as the opening-night film of the Venice Film Festival, Danny Boyle’s “Ink” has landed a major distribution deal at Netflix.

Brest directed quite the streak of successful films in the ’80s and ’90s: “Going in Style,” “Beverly Hills Cop,” “Scent of a Woman,” “Meet Joe Black,” and, his masterpiece, “Midnight Run.” Then “Gigli” happened.

Mills confirms that he plans to begin shooting his still-unannounced feature this fall and that it will exist in the same creative territory as his last three films.

Although it had been hinted at for over six years now, the sequel was never actually confirmed to be in development, but a new listing now has it set up to shoot in October.

Sony Pictures has snatched up “Hollow,” a new retelling of “Sleepy Hollow” that will star none other than Sydney Sweeney, based on Lindsey Anderson Beer’s debut novel.

The pilot for Ryan Coogler’s reboot of The X-Files officially wrapped earlier this month, and I’ve been hearing fascinating things about the behind-the-scenes developments on this project.

Parsons is currently in negotiations with A24 for a three-year first-look deal. One of the projects being discussed is a sequel to “Backrooms,” which Parsons already has an idea for.