Robert Eggers, who has already taken on witches, vikings, a vampire, and now werewolves, is turning to two teenagers in love. He's lined up a “Romeo and Juliet” adaptation at Focus Features.

Much as it did with film, The New York Times has conducted a massive poll of more than 500 "stars, showrunners and other TV insiders," including critics, to come up with "The 100 Best TV Shows of the 21st Century."

Michel Hazanavicius, the Oscar-winning director of "The Artist" and a Cannes competition regular, has just wrapped production on his latest film, "The Third Hand."

1-2 Special, a small-ish indie boutique, snapped up the U.S. distribution rights and set a December 18, 2026 release, which now has a trailer. It will screen at the New York Film Festival on September 28.

"Coyote vs. Acme," the movie Warner Bros. decided wasn't worth releasing, has now topped $100M at the global box office. It might soon surpass the totals of “Supergirl” and “Masters of the Universe.”

When pressed for a production date or a concrete plan for this reunion with Gosling, Refn played coy. He compared the mystery of the project to a Christmas present.

According to THR, Neon is going all in on Gray's latest and will mount a full awards campaign this fall for "Paper Tiger," which opens the New York Film Festival this Friday.

With the review embargo now lifted, the reviews are pretty good, or at least much better than a David Ayer movie has any right to be. The film currently sits at 96% on Rotten Tomatoes and 70 on Metacritic.

“They Follow,” which stars Maika Monroe, Jackie Earle Haley, Justine Lupe, Michael Gandolfini, and Naomi Ackie, is no doubt eyeing 2027 release.

The man who built the most popular mythology in movie history says he retired with three more "Star Wars" films still on his plate, and he let them go, selling Lucasfilm to Disney.

Now that a settlement has been reached and the 12 AGs are allowing Paramount to swallow Warner Bros. Discovery in a $111 billion deal, we need details. Here they are.

We now have seven new images from Brad Bird’s “Ray Gunn.” The film still doesn’t have a trailer, let alone a teaser, so we’ll take what we can get.

The prime catalyst for Netflix's risk-free shift may have been new content chief Dan Lin, who said two years ago that the company would greenlight films "more about audience, and less about auteurs."

Apparently, we haven’t had enough of “Sense & Sensibility.” Georgia Oakley, coming off the quiet indie success of “Blue Jean,” is taking a swing at Jane Austen’s oft-adapted classic, with Daisy Edgar-Jones.

Well, that didn't take long. Paramount has struck a deal with the 12 state attorneys general who sued to block its acquisition of Warner Bros. Discovery.

I should warn you: based on everything I’ve heard, this teaser is a total misdirection. The movie is not at all what it’s being portrayed as here. In fact, most of the footage in the teaser comes from the first few minutes of the film.

Netrflix finally decided to stop teasing us with cryptic teasers and given us an actual trailer for David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

Here's a small scoop for Sunday night. Nothing too exciting, since it concerns the once-promising Ben Wheatley, a filmmaker who broke out with the cult-horror gut-punch of "Kill List" and "A Field in England.”

Eisenberg has made a surreal nightmare of a comedy, one that's a step up in polish. It helps that Moore is wildly unhinged here — this performance is something to see, and some of her strongest work in years.

Jeremy Strong is at it again. During the ‘Social Reckoning’ shoot he treated his co-stars "the way he imagined" Mark Zuckerberg would treat them. Strong, of course, plays the Meta CEO in the film.