The film has taken over the Telluride Film Festival. It’s a best picture contender. Julianne Moore is a best actress frontrunner. Paul Giamatti might win his first Oscar for as supporting actor.

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

When asked if “The Odyssey” had led to “getting a zillion calls” for new roles, the Oscar nominee revealed that work has been slow, despite now being able to “do some of my best work.”

Adam Wingard’s “Onslaught,” which hit theaters yesterday, has not been getting the best reviews, as it currently sits at 57% on Rotten Tomatoes, and its box office numbers are looking pretty grim.

Bruce Campbell has given an update on his battle with cancer. If you remember, back in March, Campbell had revealed the cancer diagnosis, and that it was “treatable” but not “curable.”

“Tender Loving Care,” apparently his last film, Leigh’s own words, has now been screened at Telluride, and the reviews are great. Why is this film not at Venice?

His reasoning is simple: Cregger sees himself first and foremost as a writer, and he has little interest in shaping stories around the predetermined “data points” that come with established IP.

The news arrives as “Spider-Noir” earned 11 Emmy nominations, making it Prime Video’s most-nominated show this year. The series has also earned strong audience and critical scores.

It gives me no pleasure to report that this is one of the worst films of Schrader’s career. Wooden acting, Jack Huston and Sofia Boutella are badly miscast, the script is dull, the photography is flat; nothing works.

The movie, due to release in 2027, is described as “a haunting Western thriller that follows a retired U.S. Marshal whose forty-year search for his wife’s killer leads him to an outlaw losing his memory.

Alongside Blanchett, the film features a wildly eclectic ensemble including Dave Bautista, Lily-Rose Depp, Riley Keough, Léa Seydoux, Kelvin Harrison Jr. and Chris Pine

The film grossed only $205M against a $150M budget, losing Paramount a significant amount of money. It did, however, gain a decent following on streaming, but the financial risk for a sequel is ever-present.

Ah, yes — the neverending saga of the next ‘Fast & Furious’ movie, which has been plagued by delays, and Universal demanding Vin Diesel cut the budget by almost $150M.

Malkovich, a two-time Oscar nominee, fought back tears while the audience cheered him, which has become a first-stop tradition to kick-start an Oscar campaign — tears need to be shed!

So this next film by The Daniels, Scheinert and Kwan, of “EEAAO” fame, is looking exactly like we expected it to be.

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily.