“Onslaught” will hit theaters on September 4, 2026. That’s 20 months since production wrapped. Maybe A24 was waiting for the right date to position this one. Labor day weekend it is.

Based on Matt Haig’s bestselling 2020 novel, the film is being positioned as a large-scale prestige production with a reported $70M budget, making it one of Europe’s biggest productions in recent years.

Shot in 2023 and then dropped by Lionsgate, word was that “In the Grey” wasn’t finished, with reshoots delayed for months due to scheduling conflicts — but they ultimately never occurred.

This must be the most exciting time to follow the box office because we’ve never seen anything quite like “Obsession” and ‘Backrooms” in the modern era.

Jalmari Helander is directing, which at least promises some R-rated mayhem. Helander did an outstanding job helming his 2023 WWII action film “Sisu,”

Scorsese shot “What Happens at Night”, due for release sometime next year, and has a number of other projects in the works, including “Life of Jesus”, “Home”, “Devil in the White City”, and “Midnight Vendetta”.

Burnham’s last narrative feature was his debut, “Eighth Grade,” released in 2018, to wide acclaim, and he might now be finally working on a new project.

A24 and Zac Efron are teaming up again for an HBO “reimagining” of Angel Heart, which was already turned into a 1987 Alan Parker-directed film starring Mickey Rourke and Robert De Niro.

So, we might be seeing this A24-produced film in 2027. Great news for Aster-heads, and somehow, Johansson managed to sneak this one into her increasingly busy schedule.

Here’s a first trailer for “Fatherland,” which won Paweł Pawlikowski Best Director at the Cannes Film Festival. The film currently sits at 90 on Metacritic.

The big surprise with the Netflix acquisition is the notion that any studio or streamer would watch “In the Hand of Dante” and think the film is a good fit. I

Studios now want in on the Curry Barker sweepstakes, keen to get involved with his next project, with one offering $10M for his next original film — without knowing a thing about it.

Here is the moment you’ve all been waiting for: a trailer for Uwe Boll’s “Citizen Vigilante.” Yes, the master of disaster has teamed up with Armie Hammer for what promises to be the absolute perfect comeback vehicle for the canceled actor.

In a recent interview, Tilda Swinton, recalling her time on the Cannes jury in 2004, stood by the decision to give the Palme d’Or to “Fahrenheit 9/11” over “Oldboy.” It was an important “political” win, she says.

With a new Steven Spielberg coming out in less than three weeks, and reactions to the trailer having been decidedly mixed, there’s something comforting in seeing Funko critics heap praise on “Disclosure Day,”

It was inevitably going to happen, but now it’s here. An established, well-regarded film festival has finally selected an entirely AI-generated feature film in its lineup.

A final trailer for “Disclosure Day” finally gives us a more in-depth plot after a string of teases. I’ve sensed our readers have been split so far on this film—has this meatier trailer changed your opinion?

I’m sure you’ve heard about Tom Hardy’s firing from the hit Paramount+ series “MobLand.” More details have come out, and they actually align with some of Hardy’s past behaviors.

I seem to be in the minority here. The film sits at 91 on Metacritic and 100% on Rotten Tomatoes. I’m willing to give this one another shot, but for now, my take is that it’s being overpraised to the high heavens by critics.

“Backrooms” is driven entirely by atmosphere and surreal imagery, but there’s little beyond that. What subgenre is this anyway — spatial horror? It sits in the same category as “Cube,” though it’s less efficient