Starring Helen Mirren, the film reimagines the final chapter of Patricia Highsmith’s life through a fictional encounter with an ambitious young literary agent, played by Alden Ehrenreich.

Let’s start with “Coyote vs. Acme,” almost deleted by Warner Bros., saved by Ketchup for $50M, and now a sleeper hit? Tracking sat in the single digits three weeks ago, and now, it’s climbing.

Scola has shot Michael Sarnoski’s three films — “Pig,” “A Quiet Place: Day One,” and “The Death of Robin Hood” — as well as the acclaimed indie “Sing Sing.”

There have even been fan petitions circulating to convince Netflix to bring it back. Maybe those fan petitions should have been directed at Fincher instead.

He explains that even if another film were approved, “it wouldn’t get made for two years,” leaving him uncertain about “what state I’ll be in at 85, if I’m still here.”

A person with knowledge of the situation suspects Navarrette’s reps may have helped leak the “Heat 2” narrative to Page Six: she was never offered the role in the first place.

Picturehouse Cinemas, a UK cinema chain, have confirmed they will not screen “Ali G: Who Iz I?” In October — a decision that comes amid a campaign accusing the character of racist stereotypes.

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

I am very curious how Cristian Mungiu’s “Fjord” will be greeted this fall — the Palme d’Or-winning film has turned into a culture-war ticking time bomb among critics, who are more split on it than you might think.

Here’s another “Heat 2” update. Odessa Young has nabbed the role of Charlene, previously played by Ashley Judd. Young is coming off her supporting turn in “Springsteen: Deliver Me From Nowhere.”

What are the odds this turns out to be good? Netflix isn’t giving it an awards-qualifying theatrical release, and the just-released trailer isn’t doing anything for me.

Some wondered if it might arrive this year, but its absence from the fall festivals and continued lack of a release date suggest Amazon/MGM may be holding it for next year.

Netflix has finally released a trailer for “Possible Love,” which will hit theaters on October 23 and arrive on Netflix on November 6. The official runtime is 2 hours and 44 minutes.

Beyond the fact that ‘Camp Miasma’ plays like a meta tribute to ‘80s horror slashers, it’s easy to understand why Schoenbrun would want a crack at the franchise.

A new trailer for Aaron Sorkin’s “The Social Reckoning” has dropped online. I believe this is the same one I saw recently in theaters. Regardless, I’m still not sold on this thing.

Focus is back to just calling the film “The Uprising” in the new trailer, while the UK distributor is outright denying that it’s a Robin Hood movie.

“Resident Evil” appears to be embracing first-person gameplay, with the film reportedly using the perspective across several action and horror sequences rather than as a one-off gimmick.

Moviegoers heading out to see the Robert Pattinson-starring A24 movie, based on Hansen, the “To Catch a Predator” host, will apparently be greeted by Hansen himself on-screen.

Joe Carnahan, director of the Netflix hit “The RIP,” a Quentin Tarantino favorite, has set his next film, reteaming with the streamer on another action thriller, “The Operator,” starring Mark Wahlberg.

Netflix has released amother teaser for David Fincher’s “Once Upon a Time… in Hollywood” sequel. No trailer yet, but it finally has a title: “The Further Mis-Adventures of Cliff Booth.”