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Ben Affleck's ‘Animals' Is the Most Baffling Movie of the Year. WTF Was That?

I briefly mentioned Ben Affleck's "Animals" yesterday, but I need to get more into it, because this thing, now streaming on Netflix, is one of the most baffling efforts I've seen from a serious director in a long time.

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James Gray Disowns His First Three Films, Says ‘Two Lovers’ His First True Movie

At a Q&A this morning, Gray said "Two Lovers" was the first film he made with creative control. He was far less kind about the three before it, "Little Odessa," "The Yards" and "We Own the Night."

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‘The Social Reckoning' Flops With $5M Opening and B- CinemaScore as Mikey Madison Hints at Sorkin Tension

Let's start a "reader's thoughts" thread in the comments below. It's not limited to 'Social Reckoning.' There are many notable films playing. What did you see this weekend?

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‘Wildwood’ Earns Raves: “The Most Beautiful Stop-Motion Film Ever Made"

Laika's “Wildwood” premiered at the BFI London Film Festival, and the reviews are rapturous. They're also clearly stronger than the reception for the festival's other big animated premiere.

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Nicolas Cage Says He Never Agreed to ‘National Treasure 3,' Pitches Epstein Files Sequel Instead

Back in August, director Jon Turteltaub claimed "National Treasure 3" was finally happening, with Cage. The cheers were loud. The headlines were everywhere. Turns out, nobody told Nic.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Mike Leigh Says ‘Tender Loving Care’ Is “Almost Certainly” His Final Film: “I’m Now Somewhat Handicapped”

August 27, 2026 Jordan Ruimy

Mike Leigh is setting the record straight on “Tender Loving Care” being his final film, which is what he had briefly mentioned last month to IndieWire.

This time, speaking to Variety, Leigh is candid that “Tender Loving Care” is “almost certainly” his final film, but he resists framing it as a deliberate farewell. The reason is primarily physical, not creative. At 83, he says, “The truth is I’m somewhat handicapped.” Leigh has myositis, a muscle-wasting condition that has left him “unsteady on his feet.” It is this physical condition, combined with his age, that makes another film increasingly difficult.

He explains that even if another film were approved, “it wouldn’t get made for two years,” leaving him uncertain about “what state I’ll be in at 85, if I’m still here.” Crucially, he says that creatively, stopping is not the issue: “in terms of energy and ideas, it wouldn’t be a problem.” It is his body, and the practical demands of filmmaking, that make another film increasingly doubtful.

Leigh says the possibility of this being his last film was not something he consciously decided while making it. Asked whether there was a particular moment when he realized it could be his final film, he answers simply: “I don’t, honestly. It’s gradually grown.”

He also admits that he has mixed feelings about stopping. “I fluctuate,” he says. One moment he thinks, “Great. I don’t have to worry about that again.” The next, he remembers that “Making films is a joyous thing, a gas — I love it.” As he puts it, “not doing it again is frustrating. But, like life, you move on.”

Leigh is a cinematic treasure, in my view, the greatest British director of the last 40 years. He will be sorely missed. The number of great films he’s delivered since the ’80s is impressive enough. He’s one of the few directors to have won both the Golden Lion and the Palme d’Or, and if you have yet to catch up with his filmography, you’re in for a treat.

I recently listed the indisputable Leigh films—the ones I’ve kept thinking about all these years. You have to start with his Palme d’Or-winning “Secrets & Lies” and the indescribable “Naked.” His other career highlights include “Life Is Sweet,” “Another Year,” “Happy-Go-Lucky,” “All or Nothing,” “Topsy-Turvy,” and, more recently, “Hard Truths.”

“Tender Loving Care” is set for release on December 4 from Bleecker Street, following its fall festival run at Telluride, TIFF, and NYFF.

← Netflix Says David Fincher Is Why ‘Mindhunter’ Never Got Season 3, Contradicting the Director’s AccountInde Navarrette Auditioned for ‘Heat 2,’ But Sources Say She Was Never Offered the Role →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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