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Nicolas Cage Says He Never Agreed to ‘National Treasure 3,' Pitches Epstein Files Sequel Instead

Back in August, director Jon Turteltaub claimed "National Treasure 3" was finally happening, with Cage. The cheers were loud. The headlines were everywhere. Turns out, nobody told Nic.

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Amazon MGM Cuts ‘Ali G: Who Iz I?' Theatrical Run to One Week

I'm told that this ‘Ali G’ movie will play theatrically for only one week. That's it. The original plan was for a more robust rollout, but things have changed since then.

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Craig Zobel Reunites With Blumhouse to Direct ‘Something Is Killing the Children'

Zobel broke out with "Compliance" (excellent) and "Z for Zachariah" (fine) before building an excellent prestige TV résumé: "The Leftovers," "Westworld," "Mare of Easttown," and most recently, "The Penguin."

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Ava DuVernay’s ‘14th’ Slammed for Using AI

Ten years after “13th,” Ava DuVernay is back with its companion piece. “14th” screened Friday at the New York Film Festival, and the conversation afterward wasn't really about the Fourteenth Amendment.

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Mike Flanagan Adores IP, Eyes ‘Jaws' and ‘Jurassic Park': “I Thought I Wouldn't Do Franchises or Sequels, and Whoops”

The guy behind "Oculus," "Midnight Mass" and "Hush" (still his best) used to do his own thing. Now? "Carrie" is streaming, "The Exorcist: Martyrs" has a trailer, and two more King adaptations are on the way.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Jane Schoenbrun Really Wants to Direct ‘Nightmare on Elm Street’ Reboot: “I’m Trying to Get A Meeting”

August 26, 2026 Jordan Ruimy

There are currently two ‘Nightmare on Elm Street’ reboots in development. Warner Bros. is working on one, with Lee Cronin having been in talks to write and direct. That project is separate from the Paramount reboot being developed at the same time, and with the blessing of the Craven estate. At one point, according to Dread Central, Parker Finn (“Smile 2”) was also in talks to direct Paramount’s version, although it’s unclear whether he remains in contention now that he has since joined the “Possession” remake, which is about to enter post-production.

All of which is to say, Cronin and Finn aren’t the only genre filmmakers who have their sights set on Freddy Krueger. Jeff Wadlow (“The Devil’s Mouth”) has expressed interest, as has Rob Savage (“Host”). Then there’s Mike Flanagan (“Doctor Sleep”), who claims to have a “killer idea” for a reboot, and, last but certainly not least, Curry Barker (“Obsession”) who recently described the concept as offering “endless potential” and said he would “love to take a crack” at the IP.

That makes six prominent genre filmmakers who have openly expressed interest, and their wildly different sensibilities suggest that handing the franchise to any one of them could result in a radically different take on “A Nightmare on Elm Street.”

So, how about seven? Here’s the wild card: none other than Jane Schoenbrun, acclaimed for “Teenage Sex and Death at Camp Miasma,” who it turns out isn’t merely casually interested, but is actively trying to get a meeting—presumably with Warner Bros., because I simply can’t imagine David Ellison having much interest.

“I’m trying to get a meeting on this Nightmare on Elm Street thing,” Schoenbrun tells ScreenRant . “I would love to do that.”

Beyond the fact that ‘Camp Miasma’ plays like a meta tribute to ‘80s horror slashers, it’s easy to understand why Schoenbrun would want a crack at the franchise. The “I Saw the TV Glow” filmmaker is a lifelong ‘Elm Street’ fan, having recalled renting every ‘Elm Street’ movie in fifth grade, while also citing “A Nightmare on Elm Street 3: Dream Warriors” as one of the major inspirations for ‘Camp Miasma.’

The ‘Elm Street’ reboot has become the center of an unusual rights battle between Paramount and Warner Bros., with both studios separately developing their own ‘Elm Street’ films. The strange situation stems from the franchise’s divided rights: Paramount controls the U.S. rights, while Warner Bros. holds the international rights, allowing both studios to pursue separate versions as their proposed merger remains unresolved. Paramount has the backing of Craven’s estate, with his widow and son producing alongside attorney Marc Toberoff, while Warner Bros. reportedly failed to reach a deal with the estate but is moving forward with its own version regardless.

Both studios are reportedly racing to get their respective projects into production first, believing that doing so could force the other to reconsider or abandon its plans. The result is an exceptionally bizarre situation: two ‘Nightmare on Elm Street’ movies potentially being developed simultaneously, with Paramount targeting the U.S. market and Warner Bros. positioned to release internationally.

← Lee Chang-dong’s ‘Possible Love’ Gets First Trailer: Netflix Sets Fall Release for ‘Burning’ Director’s First Film in Eight Years‘The Social Reckoning’ Trailer: Jeremy Strong Has Zuckerberg Down, But Can Sorkin Escape Fincher’s Shadow? →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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