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‘Bunker’ Is a Paranoid Thriller, Marriage Drama, and Tech-Bro Apocalypse Movie All at Once [Venice]

Zeller’s feature debut, “The Father,” was an acclaimed and Oscar-winning film. Many believe he struck out with his sophomore effort, 2022’s critically maligned “The Son.” This is another miss.

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‘Practical Magic 2’ Is Tanking With Critics — 32% on Rotten Tomatoes ators

No surprise, “Practical Magic 2” is not doing well with critics. We all saw it coming. The first was also hammered with bad reviews. The only reason we’re getting a sequel is due to its cult base and ‘90s nostalgia.

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M. Night Shyamalan’s ‘Remain’ Teaser: Jake Gyllenhaal Stars in Hitchcockian Romance

A two-minute teaser has been released, and it looks intriguing and beautiful; Shyamalan is working with a new DP on this one, Adolpho Veloso—who shot the acclaimed “Train Dreams.”

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‘Artificial’ Releases Trailer, Sets Christmas 2026 Theatrical release

Here’s the teaser for Luca Guadagnino’s “Artificial,” which Neon has officially dated for a December 25, 2026 release. I’ve also posted some first look images below.

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Confirmed: Stephen Graham Joins Michael Mann’s ‘Heat 2’ as Young Neil McCauley

According to Variety, Graham is confirmed to have joined the cast of “Heat 2,” joining the already-announced Leonardo DiCaprio, Christian Bale, Adam Driver, Jason Clarke and Odessa Young.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Jane Schoenbrun Really Wants to Direct ‘Nightmare on Elm Street’ Reboot: “I’m Trying to Get A Meeting”

August 26, 2026 Jordan Ruimy

There are currently two ‘Nightmare on Elm Street’ reboots in development. Warner Bros. is working on one, with Lee Cronin having been in talks to write and direct. That project is separate from the Paramount reboot being developed at the same time, and with the blessing of the Craven estate. At one point, according to Dread Central, Parker Finn (“Smile 2”) was also in talks to direct Paramount’s version, although it’s unclear whether he remains in contention now that he has since joined the “Possession” remake, which is about to enter post-production.

All of which is to say, Cronin and Finn aren’t the only genre filmmakers who have their sights set on Freddy Krueger. Jeff Wadlow (“The Devil’s Mouth”) has expressed interest, as has Rob Savage (“Host”). Then there’s Mike Flanagan (“Doctor Sleep”), who claims to have a “killer idea” for a reboot, and, last but certainly not least, Curry Barker (“Obsession”) who recently described the concept as offering “endless potential” and said he would “love to take a crack” at the IP.

That makes six prominent genre filmmakers who have openly expressed interest, and their wildly different sensibilities suggest that handing the franchise to any one of them could result in a radically different take on “A Nightmare on Elm Street.”

So, how about seven? Here’s the wild card: none other than Jane Schoenbrun, acclaimed for “Teenage Sex and Death at Camp Miasma,” who it turns out isn’t merely casually interested, but is actively trying to get a meeting—presumably with Warner Bros., because I simply can’t imagine David Ellison having much interest.

“I’m trying to get a meeting on this Nightmare on Elm Street thing,” Schoenbrun tells ScreenRant . “I would love to do that.”

Beyond the fact that ‘Camp Miasma’ plays like a meta tribute to ‘80s horror slashers, it’s easy to understand why Schoenbrun would want a crack at the franchise. The “I Saw the TV Glow” filmmaker is a lifelong ‘Elm Street’ fan, having recalled renting every ‘Elm Street’ movie in fifth grade, while also citing “A Nightmare on Elm Street 3: Dream Warriors” as one of the major inspirations for ‘Camp Miasma.’

The ‘Elm Street’ reboot has become the center of an unusual rights battle between Paramount and Warner Bros., with both studios separately developing their own ‘Elm Street’ films. The strange situation stems from the franchise’s divided rights: Paramount controls the U.S. rights, while Warner Bros. holds the international rights, allowing both studios to pursue separate versions as their proposed merger remains unresolved. Paramount has the backing of Craven’s estate, with his widow and son producing alongside attorney Marc Toberoff, while Warner Bros. reportedly failed to reach a deal with the estate but is moving forward with its own version regardless.

Both studios are reportedly racing to get their respective projects into production first, believing that doing so could force the other to reconsider or abandon its plans. The result is an exceptionally bizarre situation: two ‘Nightmare on Elm Street’ movies potentially being developed simultaneously, with Paramount targeting the U.S. market and Warner Bros. positioned to release internationally.

← Lee Chang-dong’s ‘Possible Love’ Gets First Trailer: Netflix Sets Fall Release for ‘Burning’ Director’s First Film in Eight Years‘The Social Reckoning’ Trailer: Jeremy Strong Has Zuckerberg Down, But Can Sorkin Escape Fincher’s Shadow? →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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