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Ben Affleck's ‘Animals' Is the Most Baffling Movie of the Year. WTF Was That?

I briefly mentioned Ben Affleck's "Animals" yesterday, but I need to get more into it, because this thing, now streaming on Netflix, is one of the most baffling efforts I've seen from a serious director in a long time.

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James Gray Disowns His First Three Films, Says ‘Two Lovers’ His First True Movie

At a Q&A this morning, Gray said "Two Lovers" was the first film he made with creative control. He was far less kind about the three before it, "Little Odessa," "The Yards" and "We Own the Night."

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‘The Social Reckoning' Flops With $5M Opening and B- CinemaScore as Mikey Madison Hints at Sorkin Tension

Let's start a "reader's thoughts" thread in the comments below. It's not limited to 'Social Reckoning.' There are many notable films playing. What did you see this weekend?

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‘Wildwood’ Earns Raves: “The Most Beautiful Stop-Motion Film Ever Made"

Laika's “Wildwood” premiered at the BFI London Film Festival, and the reviews are rapturous. They're also clearly stronger than the reception for the festival's other big animated premiere.

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Nicolas Cage Says He Never Agreed to ‘National Treasure 3,' Pitches Epstein Files Sequel Instead

Back in August, director Jon Turteltaub claimed "National Treasure 3" was finally happening, with Cage. The cheers were loud. The headlines were everywhere. Turns out, nobody told Nic.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Lee Chang-dong’s ‘Possible Love’ Gets First Trailer: Netflix Sets Fall Release for ‘Burning’ Director’s First Film in Eight Years

August 27, 2026 Jordan Ruimy

I’ll be at the Venice Film Festival next week for seven days, and then another seven at TIFF—and there aren’t many films I anticipate more than Lee Chang-dong’s “Possible Love,” coming from one of the very few true masters premiering a new film this fall.

It’s been a long, silent stretch since Lee’s “Burning,” which came out way back in 2018—over eight years of inactivity. But the revered South Korean filmmaker of melancholic realism is readying his return, and here’s hoping it matches “Burning”—arguably Lee’s best—or comes close to the brilliance of “Poetry” and “Secret Sunshine.”

All this to say that Netflix has finally released a trailer for “Possible Love,” which will hit theaters on October 23 and arrive on Netflix on November 6. The official runtime is 2 hours and 44 minutes.

“Possible Love,” starring Jeon Do-yeon, Seol Kyung-gu, and Jo In-sung, would have premiered in Cannes competition if it weren’t for the fact that Netflix is distributing it. I won’t be blaming the streamer either, since they hopped onboard the project and essentially saved it after producers backed out. Even after the main cast agreed to take pay cuts to reduce the budget, the producers remained adamant about not funding the project. Once private funding couldn’t be secured, the Korean Film Commission’s financial support also disappeared, leaving Lee with little choice but to turn to Netflix for backing.

Here’s the New York Film Festival synopsis: “Lee Chang-dong’s extraordinary latest concerns two middle-aged couples from different walks of life who become unlikely acquaintances. Working-class Mi-ok (Jeon Do-yeon) and Ho-seok (Sul Kyung-gu), who have been together since middle school and are the parents of a taciturn 10-year-old, are still reckoning with the fallout from Ho-seok’s firing from his factory job after a violently suppressed labor union strike. The well-off Ye-ji (Cho Yeo-jeong) and Sang-woo (Zo In-sung) are a documentary filmmaker and her businessman husband; Ye-ji has decided to make a movie about job layoffs and wants to make Mi-ok and Ho-seok her main camera subjects.”

“The result is a brilliantly unfolding narrative of simmering resentments, shifting allegiances, sexual tensions, and queries around nonfiction filmmaking ethics that keeps revealing new layers and meanings, anchored by four towering performances that hit a varying array of fragile emotional registers. “Possible Love” speaks profoundly to our shared current moment of emotional and economic precarity. A Netflix release.”

Lee had struggled to get this one financed. Although the main cast agreed to take pay cuts to reduce the budget, the producers remained adamant about not funding the whole film. Once private funding couldn’t be secured, KOFIC’s financial support also disappeared, leaving Lee with little choice but to turn to Netflix for backing. The streaming giant essentially saved the film after producers backed out.

← ‘Alone at Dawn’ First Reaction: Adam Driver and Anne Hathaway Shine in Ron Howard’s War MovieJane Schoenbrun Really Wants to Direct ‘Nightmare on Elm Street’ Reboot: “I’m Trying to Get A Meeting” →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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