Burnham’s last narrative feature was his debut, “Eighth Grade,” released in 2018, to wide acclaim, and he might now be finally working on a new project.

A24 and Zac Efron are teaming up again for an HBO “reimagining” of Angel Heart, which was already turned into a 1987 Alan Parker-directed film starring Mickey Rourke and Robert De Niro.

So, we might be seeing this A24-produced film in 2027. Great news for Aster-heads, and somehow, Johansson managed to sneak this one into her increasingly busy schedule.

Here’s a first trailer for “Fatherland,” which won Paweł Pawlikowski Best Director at the Cannes Film Festival. The film currently sits at 90 on Metacritic.

The big surprise with the Netflix acquisition is the notion that any studio or streamer would watch “In the Hand of Dante” and think the film is a good fit. I

Studios now want in on the Curry Barker sweepstakes, keen to get involved with his next project, with one offering $10M for his next original film — without knowing a thing about it.

Here is the moment you’ve all been waiting for: a trailer for Uwe Boll’s “Citizen Vigilante.” Yes, the master of disaster has teamed up with Armie Hammer for what promises to be the absolute perfect comeback vehicle for the canceled actor.

In a recent interview, Tilda Swinton, recalling her time on the Cannes jury in 2004, stood by the decision to give the Palme d’Or to “Fahrenheit 9/11” over “Oldboy.” It was an important “political” win, she says.

This must be the most exciting time to follow the box office because we’ve never seen anything quite like “Obsession” and ‘Backrooms” in the modern era.

With a new Steven Spielberg coming out in less than three weeks, and reactions to the trailer having been decidedly mixed, there’s something comforting in seeing Funko critics heap praise on “Disclosure Day,”

It was inevitably going to happen, but now it’s here. An established, well-regarded film festival has finally selected an entirely AI-generated feature film in its lineup.

A final trailer for “Disclosure Day” finally gives us a more in-depth plot after a string of teases. I’ve sensed our readers have been split so far on this film—has this meatier trailer changed your opinion?

I’m sure you’ve heard about Tom Hardy’s firing from the hit Paramount+ series “MobLand.” More details have come out, and they actually align with some of Hardy’s past behaviors.

I seem to be in the minority here. The film sits at 91 on Metacritic and 100% on Rotten Tomatoes. I’m willing to give this one another shot, but for now, my take is that it’s being overpraised to the high heavens by critics.

“Backrooms” is driven entirely by atmosphere and surreal imagery, but there’s little beyond that. What subgenre is this anyway — spatial horror? It sits in the same category as “Cube,” though it’s less efficient

Here’s a trailer for one of the more interesting A24 movies coming out this year. “Primetime,” a drama-thriller, has Robert Pattinson playing “To Catch a Predator” host Chris Hansen.

There’s this really inane rumor circulating online that Kane Parsons didn’t actually direct A24’s “Backrooms,” and that it was his mentor Osgood Perkins who was calling the shots.

There hasn’t really been a case quite like “Obsession” in modern box office history, and all eyes will now turn to its third weekend and how well these legs hold up.

There are so many great filmmakers who haven’t released a film in almost or over a decade—usually because of financing struggles or simply being burned out by the industry.

After helming 2025’s “Warfare,” which he co-directed and co-wrote with Alex Garland for A24, Ray Mendoza has set up his next film as director, the western “Blood on the Promontory.”