Na’s last film, The Wailing, released 10 years ago, played out of competition at Cannes and remains one of the most quietly influential Korean films of the past decade

Jeremy Strong is set to star in ‘Girl With the Needle’ helmer Magnus von Horn’s “The Passenger,” based on the 1938 novel of the same name by Ulrich Alexander Boschwitz.

Fairly average reviews, but not disastrous either. Meryl Streep is, naturally, earning strong notices, and there’s some nostalgia value in seeing the cast back together.

Although I’ve been disappointed by many of the projects he’s taken on over the past couple of decades, I still find myself following whatever De Niro signs onto next. I can’t help it.

The film is essentially a rom-com version of “The Purge,” where premarital sex is outlawed for one night each year. There’s some potential in that premise, but the trailer isn’t really raising my expectations.

Steven Spielberg’s “Disclosure Day” has a runtime of about 2 hours 25 minutes, and according to his info, Spielberg’s film might actually be longer than Nolan’s “The Odyssey.”

Avary is the latest fiommaker to take on John Milton’s 1667 epic “Paradise Lost,” a work that has repeatedly proven difficult for adaptation due to its dense themes and enormous narrative scale.

Can we really call Nolan’s version—whether it lands at 2 hours 40 minutes or 2 hours 50 minutes—“stripped down”?

The MPA has unveiled its latest batch of ratings, and a pair of high-profile titles are seemingly done with post-production work.

The beloved face of “Jurassic Park”—a screen legend and a true Australian icon—has come through a battle with stage-three blood cancer and emerged on the other side.

There were so many hidden gems in this decade that a good number of them have, sadly, been lost to time. This is where we come in. Here are 27 titles that deserved a better fate.

A test screening reaction has the modern crime thriller described as “groundbreaking” in its use of a DIY, TikTok/YouTube/Instagram aesthetic to tell its conventional story with “modern language.”

It turns out almost no one was quite prepared for The Sheep Detectives to be a critical darling, let alone land at 96% on Rotten Tomatoes (based on 28 reviews) in early takes.

Barker’s “reimagining” is being described as a “fresh take” on the classic IP originally unleashed on terrified audiences by Tobe Hooper and Kim Henkel.

Jason Yu (“Sleep”) co-wrote the screenplay with Bong, who is reteaming with Neon for the first time since their 2019 Oscar winner “Parasite.” The film is expected to release next year.

Following five years of behind-the-scenes chaos, “Desert Warrior,” which carries a staggering $150M budget, was released by Vertical last weekend.

With two well-received feature films to her name, Kitty Green, director of “The Assistant” and “The Royal Hotel,” is setting up her next project, which is eyeing a shoot later this year.

“The Mandalorian and Grogu,” set to release on May 22, is the first Star Wars movie since 2019—an IP Disney is eager to revive in theaters, especially after the mixed reception of the last trilogy.