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Paul Schrader Dismisses Spielberg’s ‘Disclosure Day’: “A Master Chef Makes a Soufflé Out of Leftovers”
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Readers’ Poll: What Are the Best Films of 2026 So Far? (And Here’s My List)
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Timothée Chalamet Celebrates Knicks Win, Says He’d “Way Rather This Than the Oscars”
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Box Office: ‘Disclosure Day’ Opens to $43M+, While ‘Masters of the Universe’ and ‘Scary Movie 6’ Tumble 71% [Updated]
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Seth Rogen Says He Has “No Plans” to Work With James Franco Again, Hasn’t Spoken “in a Long Time”
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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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Sam Neill Reveals He’s Cancer-Free

April 28, 2026 Jordan Ruimy

After nearly five years of uncertainty, Sam Neill has delivered the kind of news that feels genuinely worth celebrating: he’s cancer-free.

The beloved face of “Jurassic Park”—a screen legend and a true Kiwi icon—has come through a battle with stage-three blood cancer and emerged on the other side.

In a candid conversation with 7 News Australia (via Variety), Neill reflected on the long road behind him. For years, he lived with a form of lymphoma, enduring chemotherapy treatments he described as “pretty miserable,” though lifesaving.

Then came the turning point. When chemotherapy stopped working, Neill admitted he felt lost, fearing certain death creeping upon him. And yet, in that moment of uncertainty, a new option emerged: CAR T-cell therapy, a highly personalized treatment that re-engineers a patient’s own immune cells to hunt down and destroy cancer.

And it worked.

“I’ve just had a scan… and there is no cancer in my body,” he said, with unmistakable joy. “That’s an extraordinary thing.”

When you think of Sam Neill, it’s impossible not to start with “Jurassic Park.” But his career stretches far beyond one franchise—he’s been unforgettable in “Event Horizon,” gripping in “Dead Calm,” descending into madness in “In the Mouth of Madness,” quietly devastating in “The Piano,” and brilliantly unsettling in “Possession.”

True to form, Neill didn’t linger long in reflection before looking ahead with a spark of humor and determination: “It’s time I did another movie.”

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