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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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David Leitch’s ‘How to Rob a Bank’ Shot Like a TikTok Feed, Mixes YouTube and Instagram Visual Style

April 28, 2026 Jordan Ruimy

Here’s an update on David Leitch’s latest film, “How to Rob A Bank,” which is set for release this fall.

A test screening reaction has been published by TheInSneider, which describes the modern crime thriller as “groundbreaking” in its use of a DIY, TikTok/YouTube/Instagram aesthetic to tell its conventional story with “modern language.” The film is partially shot this way, especially the robbery scenes.

There will clearly be a very fragmented and “feed-like” visual language to this film. You can probably expect fast-cut editing, vertical video framing mixed into widescreen sequences, and a ton of diegetic phone footage—like surveillance clips, livestreams, bodycam angles, and screen recordings.

There have been some precedents, though mostly in smaller-scale filmmaking. Films like “Searching” and “Run,” both directed by Aneesh Chaganty, popularized the “screenlife” format, telling stories entirely via computer screens and digital devices. Furthermore, horror films such as “Unfriended” and “Host” used real-time video call storytelling. Probably the best example of what Leitch is trying to do here might reside in Eugene Kotlyarenko’s “Spree,” which incorporated social media, livestreaming, and influencer POVs more directly into its narrative.

The film has a group of bank robbers, led by Nicholas Hoult’s alpha, who call themselves The Wolf Pack. They use social media to document their heists, playing a cat-and-mouse game with a detective played by John C. Reilly and assisted by a technologically gifted criminal played by Zoe Kravitz. Pete Davidson, Anna Sawai, and Rhenzy Feliz complete the cast. The screenplay comes from “Hunters” writer Mark Bianculli.

Leitch, a stunt coordinator-turned-filmmaker, is an interesting case study. He specializes in action, and for the most part, has had a successful career directing high-octane films: “John Wick,” “Atomic Blonde,” “Deadpool 2,” “Hobbs & Shaw,” and “Bullet Train.”

Leitch recently helmed 2022’s “Bullet Train,” starring Brad Pitt, and despite the disappointing box office, 2024’s “The Fall Guy,” starring Ryan Gosling, earned good reviews. Before hopping on board “How to Rob A Bank,” Leitch was supposed to direct “Jurassic World Rebirth,” but he abruptly exited that project due to “creative differences,” which left Universal scrambling for a replacement (which would eventually be Gareth Edwards).

Amazon/MGM plans a wide theatrical release over Labor Day weekend for “How to Rob A Bank,” with a premiere date set for September 4, 2026.

← The Most Underrated Movies of the 90's‘The Sheep Detectives’ Surprises With 96% RT Score, Becoming Hugh Jackman’s Best-Reviewed Film Yet →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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