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‘Digger’ First Reactions Are All Over The Place: “Baffling,” “A Mess,” “Hollow,” “Self-Indulgent” and ..“Brilliant”

Scratch the 50/50. It's more like 70% mixed-to-negative from what I've seen, but it's got a few defenders, which leaves me very curious.

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Mahershala Ali Agrees Kevin Feige Is a “Gigantic Loser and Failure” Over ‘Blade’

Mahershala Ali is obviously not happy about Marvel’s Kevin Feige repeatedly delaying and finally canceling the “Blade” movie he was supposed to star in.

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Robert Eggers to Direct ‘Romeo and Juliet’ for Focus Features — Will Be His Next Film

Robert Eggers, who has already taken on witches, vikings, a vampire, and now werewolves, is turning to two teenagers in love. He's lined up a “Romeo and Juliet” adaptation at Focus Features.

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NYT's 100 Best TV Shows of the 21st Century, as Voted by 500 Stars, Showrunners and Critics (#100–61)

Much as it did with film, The New York Times has conducted a massive poll of more than 500 "stars, showrunners and other TV insiders," including critics, to come up with "The 100 Best TV Shows of the 21st Century."

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Michel Hazanavicius Used AI to Shoot His WWI-Set ‘The Third Hand’: “Without AI, it's 10 Days of Shooting. With It, it's Two Days."

Michel Hazanavicius, the Oscar-winning director of "The Artist" and a Cannes competition regular, has just wrapped production on his latest film, "The Third Hand."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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S. Craig Zahler's ‘The Bookie and the Bruiser' Starts Production —Fred Melamed Joins the Cast

April 10, 2026 Jordan Ruimy

UPDATE: ‘Bookie and the Bruise’ has started production in Toronto. Furthermore, Fred Melamed (“A Serious Man”) has joined the ensemble. Benji Bakshi is the cinematographer, which makes sense — he’s lensed all three of Zahler’s films.

EARLIER: Is it just me, or has interest in S. Craig Zahler grown exponentially over the last seven years since the release of “Dragged Across Concrete”? It’s not just the emails I get asking about the status of his next film — I’m seeing it online as well.

Hell, ‘Dragged’ even hit #1 on the Netflix charts, four years after its release, back in 2023. Yes, the same film The Daily Beast described as a "Vile, Racist Right-Wing Fantasy," adding that it "revels in the violence it inflicts on women and minorities." Vulture called it a “basic boneheaded, right-wing action movie. Vanity Fair opined that "Dragged Across Concrete is energized by a dynamic in which the bad white guys get to say, do, and represent whatever repugnant worldview they want.”

And they say film criticism is dead.

Back in early 2025, pre-production on Zahler’s next film, “The Bookie and the Bruiser,” hit a snag and was pushed back — most likely due to Adrien Brody’s Oscar campaign, which eventually led to a win for “The Brutalist.”

Well, Brody’s been replaced by Theo James (“The Monkey”), and after more than a year of waiting, ‘Bookie and the Bruiser’ is set to start production on April 7 to May 27 in Toronto under the working title “Christmas Mysteries.”

Several weeks ago, Zahler had hinted at more casting surprises to come on his GoodReads blog. We should have more details about that very soon. The DP is Benji Bakshi, who has shot Zahler’s last three films— his most recent credit is being the cinematographer on “Star Trek: Strange New Worlds.”

EARLIER: My best guess is that Brody dropped out, delaying ‘Bookie,’ because he had to shoot Damien Chazelle’s “Evel Knievel on Tour,” but then that project hit a snag when Leonardo DiCaprio dropped out of negotiations, and Chazelle is now shooting another film. Still, Brody isn’t doing Zahler’s film.

Regardless, “The Bookie and the Bruiser” is slated to reunite Zahler with Vince Vaughn, who is the lead here, and has led the filmmaker’s last two films.

Set in 1959 New York, The Bookie & The Bruiser follows Rivner, a thoughtful Jewish man, and Boscolo, a hulking Italian-American from the Lower East Side. Both WWII veterans return home changed and team up as a bookmaker and enforcer, launching a lucrative but dangerous gambling racket. Trouble brews when they’re caught between a powerful Irish gang and the Mafia.

Zahler’s three directorial efforts—“Bone Tomahawk,” “Brawl in Cell Block 99,” and especially “Dragged Across Concrete”—speak for themselves. These are distinct works from a singular voice. A methodical filmmaker, Zahler explores the madness of morally conflicted men, with sharp dialogue and brutally drawn-out action. I can’t wait for this next one.

← Cannes 2026: Directors’ Fortnight Lineup Could Include Kantemir Balagov, Radu Jude, Sarah Arnold, NEON Doc and Quentin Dupieux SurprisePixar Scrapped ‘Be Fri’ After Executives Feared “Girl Power” Messaging →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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