Ford has so far directed two well-reviewed films, his 2009 debut “A Single Man” and 2016’s “Nocturnal Animals”; the latter won the Grand Jury Prize at Venice and went on to earn nine BAFTA awards nominations.

Triet is rumored to direct a new original film set in a psychology facility—a tense, contained “huis-clos” (closed-door) drama with crime elements woven through its psychological core.

There have been many more updates since. Soderbergh has now taken to social media to elaborate about how close we actually got to this film happening.

I can confirm that Warner Bros. will submit Paul Thomas Anderson’s “One Battle After Another” for consideration in the Comedy categories at the Golden Globe Awards. Sure, why not.

Jim Jarmusch is coming off his Golden Lion win at Venice for “Father Mother Sister Brother,” but he will not be resting on his laurels, as he’s already preparing to shoot his next film.

Yesterday, Jordan was confirmed to be in talks to play Ricardo Tubbs, but it’s not Glen Powell who will be playing James “Sonny” Crockett — it’s Austin Butler.

Strong early turnout for Sony’s ‘Chainsaw Man’ underscores the continued box-office strength of anime titles in North America. It might even top the weekend box-office.

Schrader has long been open to AI in filmmaking. He frequently posts AI-generated images of himself on Facebook and has admitted to using ChatGPT for script ideas.

Now that ‘Social Reckoning’ has started production in Vancouver, the city’s downtown area has been turned into Washington, DC, most notably the Capitol.

Kaufman and Jonze broke out big with “Being John Malkovich” (1999) and “Adaptation” (2002), but haven’t made anything together since.

“Jennifer’s Body,” which starred Megan Fox, barely made a dent at the box office, but 15 years later—and thanks to home video—the film is considered, in some circles, a horror classic.

Lanthimos has released three films over these past three years. The guy must be zonked—and if his recent comments are any indication, he’s about to take a much-needed break from filmmaking.

Scott Cooper’s “Deliver Me From Nowhere” is being released tomorrow, but the filmmaker admits there have already been talks about making a sequel

Warner Bros. has come to the rescue and greeted Meyers with open arms. They agreed to finance the film, which has the working title “Paris Paramount.”

Jordan has now been confirmed by Deadline. Universal rearranged schedules to allow Jordan to complete his next directing project, “The Thomas Crown Affair,” while also making time to shoot ‘Miami Vice.’

Metrograph Editor-at-Large, Nick Pinkerton has interviewed Clint Eastwood in a rare, career-spanning conversation, and by my count, the only press Eastwood has done this decade.

Surprise! After garnering critical acclaim with last year’s “I Saw the TV Glow,” Jane Schoenbrun has decided to head to Netflix.

A few weeks ago, I reported that Ti West was supposed to direct “Scrooge,” with a shoot eyed in Ireland and England. Depp is now set to star. Paramount is backing the project.

The other week, Wall Street Journal reported that Universal Pictures was having second thoughts about moving ahead with an eleventh and “final” main entry in the “Fast and Furious” franchise.

Premiering a TV episode simultaneously in theaters and on streaming is nearly unprecedented. The move mirrors the day-and-date release model used in film distribution.