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Danny Boyle on ‘28 Years Later: Part III': “We Gotta Raise the Money for It"

Garland's script is written. Boyle called it "fantastic" in that same interview, Murphy says he's ready, and Boyle wants to direct. All that's missing is the money.

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Noah Baumbach's ‘Jay Kelly' Joins Criterion Collection; February Slate Includes ‘The Sweet Hereafter,’ and ‘Kung Fu Hustle’

Noah Baumbach's “Jay Kelly” is joining the Criterion Collection on February 16, 2027. It's one of the headliners of the newly announced February slate, and it's coming out barely a year after Netflix released it.

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Box Office: Johnny Depp's ‘Ebenezer' Leads ($21M+), Audiences Love It More Than Critics Do; ‘How to Rob a Bank' Bombs ($4M+), ‘Godzilla Minus Zero’ Drops 75%

The film opened in Europe on Wednesday, and the audience scores there have been very strong. Now American audiences agree: an "A-" on CinemaScore and a 90% audience score on Rotten Tomatoes.

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Kevin Spacey's Pandemic Conspiracy Thriller ‘The Awakening' Is Coming in November: “The Film They Don't Want You to See”

Who's "they," exactly? The Illuminati? The Deep State? Hard to say. The film premiered at Italy's Matera Film Festival on November 10. No reviews have trickled in yet.

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Sony's Tom Rothman Launches Best Picture Campaign for ‘Brand New Day’: “Are You Telling Me There Are 10 Films This Year That Are Better Than This Film?”

This is all Rothman’s idea, by the way. He’s going to pour millions into this campaign because he believes “Brand New Day” is a great movie.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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BREAKING: David Fincher Exits Netflix Deal, Ending 13-Year Partnership

September 29, 2026 Jordan Ruimy

David Fincher has decided not to renew his deal at Netflix, per Bloomberg. This marks a turning point in his long relationship with the streamer. His current deal expires next year.

So where does he go? Paramount? Warner Bros.? Apple? Every studio head in town should be on the phone tonight. A free-agent Fincher is the most coveted filmmaker on the market, full stop.

Let that sink in. Fincher has been at Netflix longer than just about any creative, going all the way back to directing and executive producing “House of Cards” in 2013. This is the guy who helped build the house. And now he's walking out.

I floated this back in August when the Squid Game news broke. That U.S. spinoff got shelved, and it wasn't Fincher's call but Netflix's, since the company's priorities for the franchise had shifted. At the time I said "his days are numbered.”

The irony? In a 2024 interview with Le Monde, Fincher seemed convinced Netflix was the best place in Hollywood to make movies. And it made sense. His films are expensive, and Netflix let him make them. “Mank,” “The Killer,” “Mindhunter,” which we still mourn. Remember, Cannes boss' Thierry Frémaux even said Fincher had "left cinema" because of this arrangement.

Now the timing gets interesting. His Tarantino-scripted ‘Cliff Booth’ movie opens in IMAX on November 25. If rumors are true, and Netflix isn’t happy with the $200M they spent of this movie, the Fincher divorce makes even more sense.

This might also mean that Fincher's percolating projects at Netflix could now be shelved, including his Robert Towne-penned "Chinatown" prequel series and the neo-western "Bitterroot." The same goes for "Mindhunter," which had some fans clinging to hope that a third season might one day happen. And, as mentioned, "Squid Game: America" was recently canned by the streamer.

← Jennifer Lawrence to Star in Zach Cregger’s ‘The Flood’ Curry Barker's ‘Anything But Ghosts’ Sets May 2027 Release Date →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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