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Eli Roth Admits ‘Ice Cream Man’ Used AI After Previously Saying It Didn’t: “I Misspoke”

The film arrives unrated, set to screen in 2,000+ theaters this weekend, but is already plagued by disastrous early reviews, amounting to a 29% score on Rotten Tomatoes.

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Paramount’s Warner Bros. Deal Could Get $1.3 Billion More Expensive as Judge Sets Worst-Case-Scenario March 2027 Trial

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Paul Schrader Has the “Perfect Script” to Make His Next Film Entirely with AI

October 24, 2025 Jordan Ruimy

Paul Schrader doesn’t give a flying thought to what others think. He is ready to explore artificial intelligence in filmmaking, telling Vanity Fair that he has the “perfect script to do all AI.”

We know him as the writer of “Taxi Driver,” and “Raging Bull,” and director of “First Reformed” and “Blue Collar,” but Schrader is convinced that films “are going to be more and more AI,” adding, “I think we’re only two years away from the first AI feature.”

He elaborated: “I was just on the phone with someone today about a script I had, and I said, ‘You know, this would be a perfect script to do all AI.’”

Chances are Schrader won’t get to make his next film in AI, unless he wants to be shunned and blacklisted by his industry cohorts, but he seems dead-set on the idea, telling Vanity Fair that embracing the technology is “just a tool.”

When you’re an author, you have to describe someone’s reaction. You use a code — you use a code of words, a certain number of letters, and so forth, and you express their facial reaction. An actor has their own code. Well, now you’re a pixelator, and you can create the face, and you can create the emotion on the face, and you can sculpt it the same way an author sculpts the reaction in a novel or a story.

Schrader has long been open to AI in filmmaking. He frequently posts AI-generated images of himself on Facebook and has admitted to using ChatGPT for script ideas.

“I’M STUNNED,” he wrote. “I just asked chatgpt for ‘an idea for Paul Schrader film.’ Then Paul Thomas Anderson. Then Quentin Tarantino. Then Harmony Korine. Then Ingmar Bergman. Then Rossellini. Lang. Scorsese. Murnau. Capra. Ford. Speilberg [sic]. Lynch. Every idea chatgpt came up with (in a few seconds) was good. And original. And fleshed out. Why should writers sit around for months searching for a good idea when AI can provide one in seconds?”

Wild times.

← Box-Office: ‘Chainsaw Man’ Nabs $3.4M in Previews, ‘Black Phone 2’ Grabs $1.6M, ‘Springsteen’ Soft With $850KAaron Sorkin’s ‘The Social Reckoning’ to Recreate January 6 →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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