As Celine Song’s “Materialists” gets ready for a fall shoot, it’s SAG exempted, her critically acclaimed “Past Lives” has set up an August 22nd release on VOD. I’d like to watch this one again — my first viewing verdict was “good, but not great.” Who else has seen “Past Lives”?

Terrence Malick’s “The Way of the Wind” completed shooting in the fall of 2019. Ever since then, four years later, Malick’s still been editing the film.

One of this summer’s biggest surprises has been Peter Sohn’s “Elemental” which, after a weak opening, has had very strong legs at the box office.

Cohen will always be a legend for creating Borat, Bruno, and Ali G for HBO's now-classic "Da Ali G Show."

HBO late-night host Bill Maher despised “Barbie” so much that he had to vent out his feelings on Twitter. He’s consequently triggered the hate of Greta Gerwig fans.

Should we believe David Ayer when he says that his cut of 2016’s “Suicide Squad” is “vastly better” than the theatrically released version?

Ridley Scott directed both “Alien” and “Blade Runner,” two stone-cold classics of the sci-fi genre and he’s continued to delve deep into these worlds, 40 years on.

We can now officially scratch off any chance, albeit minimal, that David Fincher’s “The Killer” will be going to Telluride.

These last few weeks we’ve heard of filmmakers like Steven Spielberg, Quentin Tarantino, Paul Schrader, Oliver Stone, John Waters and Guillermo del Toro buying tickets to one or both of the ‘Barbenheimer’ movies.

Director William Friedkin, a maverick U.S. filmmaker, if there ever was one, died Monday in Los Angeles. He was 87.

While we await for some kind of ending to the actors strike, and John Waters being able to direct his first movie in over 20 years, the writer-director is out there promoting his new novel “Liarmouth.”

Ridley Scott’s “Napoleon” hasn’t even been released yet and, already, a scene in the upcoming epic has come under fire.

Andrew Haigh’s new film has been retitled “All Of Us Strangers” and has also set up a December 22, 2023 release date, via Searchlight. A first look image, above, has been unveiled.

There were many wondering why Emerald Fennell’s “Saltburn” did not show up inside the Toronto and Venice lineups.

This weekend’s highest per screen average was not “Barbie,” but rather Ira Sachs’ NC-17 rated “Passages,” starring Franz Rogowski, Ben Whishaw and Adèle Exarchopoulos.

Jolted by positive reviews, “Teenage Mutant Ninja Turtles: Mutant Mayhem” exceeded expectations with a $43 million opening at the weekend box-office.

“Sound of Freedom” is a watchable movie, but it’s not really what one would call high art. It wouldn’t even come close to making my top 50 list of the year’s best films.

The mouse house is already working on “Lilo & Stitch” and “Moana” remakes, but we can now add “The Princess and the Frog” and “Tangled.” (via The DisInsider).

Emily Blunt says the script for the “Edge Of Tomorrow” sequel is done and that she’s ready to film it. During an interview with Josh Horowitz, on his Happy Sad Confused podcast, Blunt says she’s “so ready.”

At this point, I think it’s pretty obvious that Nolan’s “Oppenheimer” and Gerwig’s “Barbie” will be contending in some of the major Oscar categories. This will have plenty of viewers tuning in since these are two of the most popular movies of the year, so far.