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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Emily Blunt Says the Script for ‘Edge Of Tomorrow’ Sequel is Done and Ready to Go

August 5, 2023 Jordan Ruimy

Emily Blunt says the script for the “Edge Of Tomorrow” sequel is done and that she’s ready to film it. During an interview with Josh Horowitz, on his Happy Sad Confused podcast, Blunt says she’s “so ready.”

I wish there could be one. There was one that Doug [Liman] slithered over to me and like… I would love to make it a reality, but I just don’t know when or how – how many Mission Impossibles does [Tom Cruise] need? Come on!

You might have missed the exhilarating work director Doug Liman, and his stars Tom Cruise and Emily Blunt, gave us in the summer of 2014 with “Edge of Tomorrow.”

The film only earned $100 million at the box-office, and while some might have dismissed the film as a sci-fi “Groundhog Day,” they weren’t exactly wrong. However, Liman’s film was more than just a gimmick. It had an originality and spontaneity that most other action blockbusters fail to achieve. A playfulness that left you giddy with excitement.

For a film that essentially dealt with Cruise’s Colonel time-looping the same war zone memory over and over again, you might have expected the film to have a certain kind of over-stayed repetitiveness, but that never happened. In fact, the only quibble I had with the movie was about the last ten or so minutes when the plot deviated away from the time-looping and into anti-climactic combat mode.

People eventually caught on as to how great the film was when it hit home video, capturing a solid fan base and becoming a sci-fi classic in the process. So much so that a sequel is now in the works with Liman, Cruise and Blunt all returning.

Liman has stated that the film would “revolutionize how people make sequels” and that the film would be titled “Live Die Repeat and Repeat.” Cruise’s buddy Christopher McQuarrie (“The Usual Suspects,” “Mission Impossible: Rogue Nation“) is writing the screenplay.

Speaking to Flickering Myth, Liman said the sequel wouldn’t have been possible without the fan base that developed, pushing it forward:

…we came up with an idea for a sequel that’s so shockingly revolutionary for how a sequel would get made, and it’s so fresh and it’s such a fun story. We only even started talking about a sequel because there was so much fan affection for the movie, that people started asking us about a sequel. There was so much love for the film. It used to be that people come up to me and talked to me about ‘The Bourne Identity.’ But ‘Edge of Tomorrow’ is the one that people constantly come up and talk to me about. There’s so much affection for the movie we at least owe looking at it to see if there’s an idea for a sequel and we came an idea that I can’t stop talking about.

This is all a major turnaround from the summer of 2014 when the film was dying a slow and painful death at the box-office and looked like it wouldn’t make back its $178 million budget. Liman clearly is in love with the premise he has for this sequel. Or is it a prequel? It’s always risky trying to have a continuation to a much-loved film, but we trust Liman, a smart and capable action director, to bring it with this film, even if some movies are better left untouched.

← Disney Working on ‘Tangled’ and ‘Princess and the Frog’ Live Action Remakes …‘Barbie’ and ‘Oppenheimer’ Will Compete for Multiple Oscars, Including Picture and Director →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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