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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Napoleon’ Slap Scene Ignites Controversy

August 7, 2023 Jordan Ruimy

Ridley Scott’s “Napoleon” hasn’t even been released yet and, already, a scene in the upcoming epic has come under fire.

The film has drawn swift condemnation from a women's charity group, and social media hooligans, after Scott admitted in an interview that Joaquin Phoenix slapped his co-star, Vanessa Kirby, on-set, in an unscripted moment.  

Scott told Empire about Phoenix slapping Kirby, who plays his wife Empress Joséphine, in a spontaneous moment, and that it was total “magic”:

He just f***ing slapped her. She didn’t know it was coming either, the whole room went [sharp intake of breath]. What could have been a boring scene suddenly had magic.

A spokesperson for the Women's Aid group warned about the consequences such a slap could lead to:

While the portrayal of domestic abuse and violence in cinema and on TV can generate greater awareness and discussion of the topic, it is vital that this is handled responsibly, with great awareness of the experience of survivors and with the sole purpose of educating the viewer – not romanticising abuse. While this may have been a consensual part of the acting process in this case, descriptions like these could benefit from being more measured, and the fact that domestic abuse and violence are completely intolerable in our society made explicitly clear.

Women's Aid is warning that actors and filmmakers need to be careful about how they conduct themselves on set.

Phoenix told the magazine that he and Kirby agreed to surprise each other on the set, explaining: “She said, "You can slap me, you can grab me, you can pull me, you can kiss me, whatever it is". We encouraged each other, demanded of each other, to challenge ourselves to shock each other in moments.”

Kirby added: “It's the greatest thing when you have a creative partner and you say, "Right, everything's safe. I'm with you. And we're going to go to the dark places together".

So, it was consensual, but Women’s Aid doesn’t care — they spit on the art of moviemaking. There needs to be limits on the way you create art, is what they’re saying. Consented or not, it doesn’t matter.

Based on what’s been said by Scott/Kirby/Phoenix, they put everything they had into this film, to make it as realistic and entertaining as possible. Those living outside this artistic bubble want to prohibit such behavior.

← John Waters Says ‘Beau is Afraid’ is Some “Really Great Shit” and His Favorite Film of the YearAndrew Haigh’s ‘Strangers’ Set for December 22nd Release →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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