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Linus Sandgren to DP Shawn Levy's ‘Ghost Rider' on Film — Connor Storrie in Talks to Co-Star

Marvel's "Ghost Rider" just hired one of the best cinematographers working today. Linus Sandgren will serve as DP on Shawn Levy's MCU flick, and, most notably, the project will be shot on film.

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Jafar Panahi Sentenced to Five Years in Prison as Iran Orders His Assets Seized

It keeps getting worse for Jafar Panahi. The Palme d'Or-winning director of "It Was Just an Accident" has been sentenced by Branch 26 of the Tehran Revolutionary Court to five years in prison.

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‘The Birds’ Limited Series Starring Sarah Snook Lands at HBO

Hollywood remaking anything connected to Hitchcock has rarely produced memorable results. Yet the industry keeps trying, despite overwhelming evidence that it’s a fool’s errand.

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‘One of Them Days’ Filmmaker Lawrence Lamont to Direct Ice Cube-Penned ‘Last Friday’ Sequel

Lawrence Lamont, whose “One of Them Days” was one of the more pleasant low-key surprises of early 2025, has been tapped by New Line to direct “Last Friday,” the fourth instalment of the “Friday” franchise.

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‘Coyote vs. Acme' Ruled Eligible for Best Animated Feature Oscar — Crashes the Race Against ‘Wildwood’ and ‘Toy Story 5’

Should "Coyote vs. Acme" even be considered an animated film? The Academy requires animation to cover 75% of a film's runtime, and somehow this movie cleared that bar.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Napoleon’ Slap Scene Ignites Controversy

August 7, 2023 Jordan Ruimy

Ridley Scott’s “Napoleon” hasn’t even been released yet and, already, a scene in the upcoming epic has come under fire.

The film has drawn swift condemnation from a women's charity group, and social media hooligans, after Scott admitted in an interview that Joaquin Phoenix slapped his co-star, Vanessa Kirby, on-set, in an unscripted moment.  

Scott told Empire about Phoenix slapping Kirby, who plays his wife Empress Joséphine, in a spontaneous moment, and that it was total “magic”:

He just f***ing slapped her. She didn’t know it was coming either, the whole room went [sharp intake of breath]. What could have been a boring scene suddenly had magic.

A spokesperson for the Women's Aid group warned about the consequences such a slap could lead to:

While the portrayal of domestic abuse and violence in cinema and on TV can generate greater awareness and discussion of the topic, it is vital that this is handled responsibly, with great awareness of the experience of survivors and with the sole purpose of educating the viewer – not romanticising abuse. While this may have been a consensual part of the acting process in this case, descriptions like these could benefit from being more measured, and the fact that domestic abuse and violence are completely intolerable in our society made explicitly clear.

Women's Aid is warning that actors and filmmakers need to be careful about how they conduct themselves on set.

Phoenix told the magazine that he and Kirby agreed to surprise each other on the set, explaining: “She said, "You can slap me, you can grab me, you can pull me, you can kiss me, whatever it is". We encouraged each other, demanded of each other, to challenge ourselves to shock each other in moments.”

Kirby added: “It's the greatest thing when you have a creative partner and you say, "Right, everything's safe. I'm with you. And we're going to go to the dark places together".

So, it was consensual, but Women’s Aid doesn’t care — they spit on the art of moviemaking. There needs to be limits on the way you create art, is what they’re saying. Consented or not, it doesn’t matter.

Based on what’s been said by Scott/Kirby/Phoenix, they put everything they had into this film, to make it as realistic and entertaining as possible. Those living outside this artistic bubble want to prohibit such behavior.

← John Waters Says ‘Beau is Afraid’ is Some “Really Great Shit” and His Favorite Film of the YearAndrew Haigh’s ‘Strangers’ Set for December 22nd Release →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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