• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_9683.jpeg
Paramount to Exit California Amid Warner Bros. Antitrust Fight

For months, people close to CEO David Ellison had hinted that he would leave if state AGs didn't drop their antitrust suit against the $111 billion Warner Bros. Discovery merger.

Read more →
IMG_9682.jpeg
Matthew Lillard Says He's “Ashamed" and “Embarrassed” He Returned for ‘Scream 7' After Melissa Barrera's Firing

Lillard says he was part of that silence and now regrets doing “Scream 7,” not because it turned out to be terrible, but because of how Barrera was treated.

Read more →
IMG_9681.webp
France Picks Andrey Zvyagintsev’s Russian-Language ‘Minotaur’ as Its 2027 Oscar Submission

France has selected Andrey Zvyagintsev’s “Minotaur” to represent the country in the international feature film race at the Oscars, despite the filmmaker and cast being Russian.

Read more →
IMG_9676.jpeg
Gregg Araki Starts Shooting ‘The Decline of F*cking Western Civilization’ with Ashton Kutcher and Alison Brie

Araki wrote the screenplay, and will direct “The Decline of F*cking Western Civilization,” a dark comedy starring Ashton Kutcher, Alison Brie, and Jesse Williams. The film started shooting today in Los Angeles.

Read more →
IMG_9677.jpeg
‘La Bola Negra’ Storms TIFF as Queer Epic Eyes Netflix’s First Best Picture Oscar

Last night, Los Javis' "La Bola Negra" held a triumphant screening at TIFF's Princess of Wales Theatre, and the standing ovation reportedly lasted through the entire credits.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

David Ayer Rants About His Director’s Cut of ‘Suicide Squad’

August 7, 2023 Jordan Ruimy

Should we believe David Ayer when he says that his cut of 2016’s “Suicide Squad” is “vastly better” than the theatrically released version? Purely based on the theatrical cut, nothing would indicate to me that a good movie is hidden somewhere inside that mess of visual debauchery.

The truth is that nine times out of ten, a movie that a studio heavily interferes with is probably not that good to begin with. Of course, there are always exceptions like “Once Upon A Time in America,” “Brazil” and “Blade Runner,” but they’re far and few.

With that being said, the #ReleaseTheAyerCut movement is real. There are actual people out there who want to see it, especially after Ayer claimed his own cut was "ripped to pieces" by Warner Bros. And, know what? They’ll probably get it at some point. Ayer has definitely been hinting at it more and more.

In a recent post on Twitter, Ayer says the studio interference on “Suicide Squad” forever changed him. He also claims that there’s proof that his version of the film plays much better with fans. He desperately wants it out.

Here is Ayer responding to a fan who insulted “Suicide Squad” on Twitter, you can clearly tell Ayer is absolutely pissed off and wants to be vindicated by the directors cut that he has:

What’s your advice on how to navigate this situation with grace? There’s a genuine curiosity and interest from a lot of people. And I’m aware of there is another group of people that have fun mocking the film. Your comment is a perfect example of how many are magnetically drawn discussion to the 2016 film in a negative way. Have you ever had an experience in life that didn’t [end up] the way you wanted, that dragged you, that made you rethink everything? I have. All I know is my unseen film plays much better than the studio release. The interest in my cut being show seems real and organic. And Gunn told me it would have it’s time to be shared. He absolutely deserves to launch to launch his DC universe without more drama about old projects.

The hidden lede in the above rant is that we’re likely going to get his version sometime soon, especially since, he claims, James Gunn told him so. Good for him. He probably needs this to happen as a sort of therapeutic closure.

So, what exactly happened during post-production of the much maligned critical and commercially bombed “Suicide Squad”?

Ayer had previously stated that DC management chose to edit the film around the way the trailers presented the story, stripping his vision in the process and turning the film into a comedy-based interpretation.

Reshoots written by Geoff Johns happened in 2016 following Warner's desire to compromise the tested cuts and make a more light-hearted film; it was reported the reshoots cost around $22 million.

A few years ago, chatting with EW about the negative reviews for “Suicide Squad,” Ayer didn’t hold back and revealed that he was definitely shaken by the reaction: “It was shit,” said Ayer. “Yeah, it was shit reviews. I got my throat cut. It was a super polarizing movie. Incredibly polarizing. 

Back in 2016, Ayer had also claimed, that “this cut of the movie is my cut, there’s no sort of parallel universe version of the movie, the released movie is my cut”. Was he told by the studio to say that?

He probably thought then that his movie wouldn’t be a success and make lots of money. The opposite occurred and in the process he completely disowned it. Ayer would eventually admit that his “soulful drama” was “beaten into a comedy” in the editing room.

The curious case of Ayer‘s filmmaking career is one that fascinates and frustrates. Initially known for his hit screenplays (he wrote “Training Day,” and “The Fast and the Furious” among many others), the 49-year-old director quickly managed to make a mark as a director with the gritty “Harsh Times,” “End of Watch” and “Fury.”

Ever since then, his career has taken a turn for the worst with the critical drubbings of “Suicide Squad,” “Bright,” “Sabotage” and “The Tax Collector.”

← Bill Maher Criticizes “Preachy, Man Hating” ‘Barbie’Ridley Scott Regrets Directing ‘Alien: Covenant’ Instead of ‘Blade Runner 2049’ →

FOLLOW US!

Newsletter Block
This newsletter signup form needs a storage option. Edit the block and enter a storage location via the Storage tab.

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_9642.jpeg
Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

Read more →
IMG_9412.jpeg
Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

Read more →
IMG_9228.jpeg
Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

Read more →
IMG_9202.jpeg
Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026