• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_9370.jpeg
Can Nathan Fielder’s ‘You Can See Everything’ Make Oscar History as the First “Documentary” Nominated for Best Picture?

In the Academy’s 97-year history, no documentary has ever been nominated for the Best Picture Oscar? Fielder’s doc is being tipped as potentially making history — but is it even non-fiction?

Read more →
IMG_9368.jpeg
Ridley Scott Claims ‘Treasure Island’ Will Be the Most Expensive Movie of His Career

Scott says it could be “the highest budget film” of his career” before accounting for tax incentives.” If Scott isn’t bullsh*tting here, and lord knows he might be, that would put the cost in the $200M+ range.

Read more →
IMG_9362.jpeg
Brady Corbet’s ‘The Origin of the World,’ His ‘X-Rated’ 4-Hour Follow-Up to ‘The Brutalist,’ Begins Production in South Africa

Brady Corbet's “The Origin of the World,” his X-Rated epic about "Northern California’s economy" in the 1970s epic, has now started production in South Africa under the working title “SALT FLATS.”

Read more →
IMG_9354.jpeg
Mia Hansen-Løve’s ‘If Love Should Die’ is Finally Happening — Renate Reinsve Vicky Krieps, Johnny Flynn to Star

Hansen-Løve has a new film — a period piece set in England. “If Love Should Die” will focus on the 18th-century English philosopher Mary Wollstonecraft. This was announced three years ago, and it is finally happening.

Read more →
IMG_3632.webp
Venice 2026: Koreeda’s ‘Look Back’ Disappoints, el-Toukhy’s ‘Woman Unknown’ Provokes, Moretti Surprises

Venice keeps trudging along. Twelve of the 21 films in competition have now been screened. Tomorrow, we’ll get to see Casey Affleck’s “Company,” Florian Zeller’s “Bunker,” and Ilya Khrzhanovsky’s “DAU.”

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

William Friedkin Dead at 87

August 7, 2023 Jordan Ruimy

What a devastating blow to cinema.

Director William Friedkin, a maverick U.S. filmmaker, if there ever was one, died Monday in Los Angeles. He was 87. His final film, “The Caine Mutiny Court-Martial,” starring Kiefer Sutherland, is set to premiere at the Venice Film Festival next month.

I’ve always thought of Friedkin as one of the more important, and underrated, American auteurs of the ‘70s. Friedkin had always been a cinematic provocateur, but the sheer amount of voluminous cinematic achievements he’s given us cannot be underestimated.

Friedkin was always paired with Peter Bogdanovich, Robert Altman, Francis Ford Coppola and Hal Ashby Friedkin as the A-list filmmakers of the the 1970s American movement, they were part of the risk takers that shook up Hollywood.

Friedkin started off on Rocky ground, he had a lot of production issues on his 1968 debut “The Night They Raided Misnky’s,” but it was a hit and led to “The Boys in the Band,” which hit the mark with critics at the time.

However, with his three ‘70s classics (“Sorcerer,” “The Exorcist,” “The French Connection”) Friedkin changed Hollywood. In the ‘80s, he also gave us an expertly crafted police procedural (“To Live and Die In L.A”) which has aged very well. Let us also not forget that Friedkin had a mini-comeback, of sorts, during the aughts with 2006’s “Bug”and 2011’s brilliantly deranged “Killer Joe.”

It's been 12 years since "Killer Joe”.  I had originally hoped that those back-to-back films would be a career rejuvenation of sorts for the director but, alas, it never came to be. The fact that both those movies were all but ignored is a real shame. They are well worth seeking out, especially “Killer Joe.”

Now we have this final film to look forward to.

At 87 years of age, this year, the very-selective, Friedkin embarked on his first film in over a decade. This is an adaptation of “The Caine Mutiny Court-Martial,” a 50-year-old script play written by Herman Wouk from his Pulitzer Prize-winning novel. Kiefer Sutherland is set to star.

I’ve looked at a lot of scripts in the last 10 years, and I haven’t seen anything I really wanted to do, but I think about it a lot, and it occurred to me that could be a very timely and important piece, as well as being great drama. The Caine Mutiny Court-Martial is one of the best court-martial dramas ever written.

← Steven Soderbergh Calls “Oppenheimer” A “Real Accomplishment”John Waters Says ‘Beau is Afraid’ is Some “Really Great Shit” and His Favorite Film of the Year →

FOLLOW US!

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_8823.webp
Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

Read more →
IMG_8734.jpeg
‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

Read more →
IMG_8707.jpeg
What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

Read more →
IMG_8721.jpeg
Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026