I am very curious how Cristian Mungiu’s “Fjord” will be greeted this fall — the Palme d’Or-winning film has turned into a culture-war ticking time bomb among critics, who are more split on it than you might think.

Here’s another “Heat 2” update. Odessa Young has nabbed the role of Charlene, previously played by Ashley Judd. Young is coming off her supporting turn in “Springsteen: Deliver Me From Nowhere.”

What are the odds this turns out to be good? Netflix isn’t giving it an awards-qualifying theatrical release, and the just-released trailer isn’t doing anything for me.

Some wondered if it might arrive this year, but its absence from the fall festivals and continued lack of a release date suggest Amazon/MGM may be holding it for next year.

Netflix has finally released a trailer for “Possible Love,” which will hit theaters on October 23 and arrive on Netflix on November 6. The official runtime is 2 hours and 44 minutes.

Beyond the fact that ‘Camp Miasma’ plays like a meta tribute to ‘80s horror slashers, it’s easy to understand why Schoenbrun would want a crack at the franchise.

A new trailer for Aaron Sorkin’s “The Social Reckoning” has dropped online. I believe this is the same one I saw recently in theaters. Regardless, I’m still not sold on this thing.

Focus is back to just calling the film “The Uprising” in the new trailer, while the UK distributor is outright denying that it’s a Robin Hood movie.

“Resident Evil” appears to be embracing first-person gameplay, with the film reportedly using the perspective across several action and horror sequences rather than as a one-off gimmick.

Moviegoers heading out to see the Robert Pattinson-starring A24 movie, based on Hansen, the “To Catch a Predator” host, will apparently be greeted by Hansen himself on-screen.

Joe Carnahan, director of the Netflix hit “The RIP,” a Quentin Tarantino favorite, has set his next film, reteaming with the streamer on another action thriller, “The Operator,” starring Mark Wahlberg.

Netflix has released amother teaser for David Fincher’s “Once Upon a Time… in Hollywood” sequel. No trailer yet, but it finally has a title: “The Further Mis-Adventures of Cliff Booth.”

A unique performer, very hard to pin down, Curry became a defining figure in cult entertainment through his fearless embrace of theatricality, camp, and genre.

The latest example of a great film that might be shunned from Oscar eligibility in the International category is dissident Russian filmmaker Andrey Zvyagintsev’s “Minotaur,” which won the Grand Prix at Cannes.

Screen tests are scheduled to begin in early September, and we have a list of names. The shortlist includes Jack Barton, Jack Lowden, Callum Turner, Jacob Elordi, Paul Mescal and Harris Dickinson.

Scott has long expressed interest in continuing the Prometheus/“Alien: Covenant” storyline, particularly Michael Fassbender’s David, and reportedly rejected a ‘Romulus’ sequel because of that.

It’s no wonder 20th Century decided to dump the movie during the last week of August—a place where movies are set up to die quietly before the fall movie season begins.

Much like the Ryan Gosling/Bamm-Bamm movie, this is not a story out of The Onion. This is real — and that’s despite some online thinking it’s fake news. It is not.

The news is being met with justified disbelief and confusion: Who was asking for a Bamm-Bamm movie? Is Hollywood now coming up with ideas via a Mad Libs generator?

Dolly Parton, one of the most beloved figures in American entertainment, has died at 80 in Nashville. A country music legend, Parton also became a major film star, appearing in “9 to 5.”