Netflix has released amother teaser for David Fincher’s “Once Upon a Time… in Hollywood” sequel. No trailer yet, but it finally has a title: “The Further Mis-Adventures of Cliff Booth.”

A unique performer, very hard to pin down, Curry became a defining figure in cult entertainment through his fearless embrace of theatricality, camp, and genre.

The latest example of a great film that might be shunned from Oscar eligibility in the International category is dissident Russian filmmaker Andrey Zvyagintsev’s “Minotaur,” which won the Grand Prix at Cannes.

Screen tests are scheduled to begin in early September, and we have a list of names. The shortlist includes Jack Barton, Jack Lowden, Callum Turner, Jacob Elordi, Paul Mescal and Harris Dickinson.

Scott has long expressed interest in continuing the Prometheus/“Alien: Covenant” storyline, particularly Michael Fassbender’s David, and reportedly rejected a ‘Romulus’ sequel because of that.

It’s no wonder 20th Century decided to dump the movie during the last week of August—a place where movies are set up to die quietly before the fall movie season begins.

Much like the Ryan Gosling/Bamm-Bamm movie, this is not a story out of The Onion. This is real — and that’s despite some online thinking it’s fake news. It is not.

The news is being met with justified disbelief and confusion: Who was asking for a Bamm-Bamm movie? Is Hollywood now coming up with ideas via a Mad Libs generator?

Dolly Parton, one of the most beloved figures in American entertainment, has died at 80 in Nashville. A country music legend, Parton also became a major film star, appearing in “9 to 5.”

Kelly’s plan is to have this novel adapted into an animated/motion-capture movie and then continue the story with a live-action project that jumps 28 years into the future.

Not many are talking about “The Magic Faraway Tree,” starring Andrew Garfield, which just had the weakest wide-release opening in almost 20 years.

There she is again, Adèle Exarchopoulos. Just a week after it was announced she’d star in Megan Park’s next film, Exarchopoulos has attached herself to an even bigger English-language project.

Dan Stevens has been cast as RoboCop in Prime Video’s upcoming series. Stevens will star as Alex Murphy and his cyborg alter ego, RoboCop, in the show from showrunner Peter Ocko and Blumhouse Atomic Monster.

Here’s our first look — images below — at Danny Boyle’s “Ink,” via Vanity Fair, which is set to open the Venice Film Festival next week before screening at Telluride and TIFF.

South Korea has selected Lee Chang-dong’s “Possible Love” as its submission for the Best International Feature Oscar, choosing it over Na Hong-jin’s “Hope.”

Now we have more details, and a trailer. Titled “Ali G: Who Iz I,” the film is set for a theatrical release from Amazo/MGM Studios on October 23, and will mark Cohen’s feature directorial debut.

Just five Cannes competition titles still seek U.S. distribution, four of them subpar, all French. The fifth, and easily the best film still without US studio attachment, is Ira Sachs’ “The Man I Love.”

McConaughey recently said that “How to Lose a Guy in 10 Days” is the movie that pays him the most in residuals—the ongoing “mailbox money” he receives from the film being shown, streamed, and rented.

Despite the Venice launch, “Company” has so far failed to land a berth at any of the major North American fall festivals. It was not announced by Toronto, Telluride or the New York Film Festival.

The story being told in “Gold Mountain” feels right at home for Lee — especially after his tech-obsessed filmmaking of the last 14 years (“Life of Pi,” “Billy Lynn’s Halftime Walk,” “Gemini Man”).