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Nicolas Cage Says He Never Agreed to ‘National Treasure 3,' Pitches Epstein Files Sequel Instead

Back in August, director Jon Turteltaub claimed "National Treasure 3" was finally happening, with Cage. The cheers were loud. The headlines were everywhere. Turns out, nobody told Nic.

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Amazon MGM Cuts ‘Ali G: Who Iz I?' Theatrical Run to One Week

I'm told that this ‘Ali G’ movie will play theatrically for only one week. That's it. The original plan was for a more robust rollout, but things have changed since then.

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Craig Zobel Reunites With Blumhouse to Direct ‘Something Is Killing the Children'

Zobel broke out with "Compliance" (excellent) and "Z for Zachariah" (fine) before building an excellent prestige TV résumé: "The Leftovers," "Westworld," "Mare of Easttown," and most recently, "The Penguin."

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Ava DuVernay’s ‘14th’ Slammed for Using AI

Ten years after “13th,” Ava DuVernay is back with its companion piece. “14th” screened Friday at the New York Film Festival, and the conversation afterward wasn't really about the Fourteenth Amendment.

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Mike Flanagan Adores IP, Eyes ‘Jaws' and ‘Jurassic Park': “I Thought I Wouldn't Do Franchises or Sequels, and Whoops”

The guy behind "Oculus," "Midnight Mass" and "Hush" (still his best) used to do his own thing. Now? "Carrie" is streaming, "The Exorcist: Martyrs" has a trailer, and two more King adaptations are on the way.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Ink’ First Look: Danny Boyle Refuses to “Monsterize” Rupert Murdoch

August 25, 2026 Jordan Ruimy

Here’s our first look — images below — at Danny Boyle’s “Ink,” via Vanity Fair, which is set to open the Venice Film Festival next week before screening at Telluride and TIFF.

In the VF interview, Boyle admitted he was captivated by James Graham’s play when he saw it on the West End in 2017, immediately recognizing its potential as a film. Despite skepticism from studios and financiers, Boyle continued to pursue the project.

The film stars Guy Pearce as Rupert Murdoch and Jack O’Connell as Larry Lamb, portraying the 1969 launch of the sensationalized The Sun and its lasting impact on journalism. Boyle calls the story “so relevant” because it raises questions about “where we are now” and “the future of the truth.”

Rather than simply depicting Murdoch as a fully formed media titan, the film emphasizes the partnership—and tension—between Murdoch and the relatively obscure Lamb. Graham says, “He’s still developing and he’s still learning,” while Lamb channels “disgust, anger, resentment, passion for the news to invent something new.”

Boyle was especially drawn to Lamb, a northern outsider who shared his own sense of being an underdog. O’Connell describes Lamb as someone who helped shape modern culture while “operat[ing] very much in the dark.”

In the film, Boyle uses his trademark kinetic style to transform the stage play into a “fast-moving film,” while resisting the temptation to portray Murdoch simply as a monster. “If you monsterize, you just easily free yourself of responsibility,” Boyle says. Boyle ultimately sees Murdoch and Lamb as an “ignition point for where we are now,” arguing that their legacy can be traced through changing attitudes toward “authority,” “central governance,” and “central truth.”

Boyle is coming off the strong reviews that “28 Years Later” received in the summer of 2025, and “Ink” appears to mark a return to more awards-friendly material. Over the course of his 30-year career, he has directed such films as “Shallow Grave,” “28 Days Later,” “Trainspotting,” “127 Hours,” and “Slumdog Millionaire.”

“Ink,” which was recently acquired by Netflix, will open in select theaters on December 11 before debuting on Netflix in the U.S. and Latin America on January 8.

← Dan Stevens to Star as ‘RoboCop’ in James Wan and Blumhouse’s Prime SeriesLee Chang-dong’s ‘Possible Love’ Selected as South Korea’s Oscar Submission →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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