Aster is set to write and direct “Scapegoat,” starring Scarlett Johansson. A24, which backed Aster’s first four films, will be behind this project again.

Here are the runtimes (and schedule) for all 22 films at this year’s Cannes Film Festival. Fourteen of the 22 titles vying for the Palme d’Or are over 2 hours long.

If you ask Barrera, it was all a psyop, those numbers were meddled with. No, really — that’s what she slyly slips in the interview after agreeing that “Scream 7” “sucked”:

With the festival lacking much of a Hollywood presence this year, it’s been announced that a Midnight Screening slot has been reserved for “The Fast and the Furious” for its 25th anniversary.

Jennifer Kent is finally lining up her third feature—and she even has an actress and a production start date to back it up.

On Tuesday, MonkeyPaw laid off several staffers as it continues to recalibrate its development slate. Monkeypaw is now reportedly down to just four employees.

Warner Bros., under its newly branded specialty studio “Clockwork,” has quietly dropped one of the most significant restoration announcements in years.

DaCosta questions whether the timing hurt its performance—“maybe too soon, because people were like, ‘Oh yeah, I saw that last summer!’” She does not, however address Sony’s January release strategy.

Is it possible that many fans were so genuinely dissatisfied with Disney’s Star Wars sequel trilogy that it has led them to repeatedly revisit George Lucas’s prequels for pure nostalgia and comfort?

Back in May 2025, production on “Later the War” had come to a sudden shutdown. Cast and crew departed the set, with one of the Polish producers pulling out of the project altogether.

“King Snake,” which recently began production in Arkansas, has been acquired by Neon. The project reunites Nichols with longtime collaborator Michael Shannon, with Margaret Qualley and Drew Starkey

Stillman is set to direct “A Night at Claridge’s,” his first feature since 2016’s “Love & Friendship.” The film reunites him with Adam Brody and also stars Laura Carmichael in the lead.

Gálvez’s “The Settlers” competed in Un Certain Regard and for the Caméra d’Or at Cannes. The film won the FIPRESCI critics’ award, marking the first Chilean film to receive the prize.

It’s not like Netflix doesn’t spend an inordinate amount of money on some of its titles—every year you’ll see a couple of $150–200M productions, but “Narnia” goes beyond that.

It’s not necessarily a rise-and-fall biopic so much as a slice-of-life portrayal of a moment that greatly shaped Bourdain’s inevitable rise in the culinary and cultural world.

A trailer for Christopher Nolan’s “The Odyssey” is now online. It was premiered tonight, at midnight, and will no doubt be dissected by many in the hours to come.

Paramount has set a January 14, 2028 release date for Nicolas Cage–starring “Longlegs” sequel, to be directed, yet again by Osgood Perkins.

The project would be part of Cruise’s recent deal with Warner Bros., which allows him to produce and star in films for the studio.

What started as a behind-the-scenes drama turned full-on courtroom franchise has now ended not with a bang, but a handshake and a mutual “let’s just move on” energy.

This year, I’ve noticed the debate about the unusually large gap between movie critics and general audiences coming up again, especially around major blockbusters.