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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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Maude Apatow’s ‘Poetic License’ Lands at Sony Pictures Classics After Row K Collapse

“Row K” acquired “Poetic License” out of TIFF last year, but Sony Pictures Classics has now stepped in and picked up the film. According to Variety, SPC is planning a release next year.

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‘Brand New Day’ Hits $1 Billion in Just Six Days; Record-Setting $47M Monday

The Marvel sequel has surpassed $1 billion worldwide in just six days, making it the second-fastest movie ever to reach the milestone.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Fast and the Furious’ Set for Cannes Midnight Screening with Vin Diesel, Michelle Rodriguez for 25th Anniversary

May 6, 2026 Jordan Ruimy

Cannes is doing that thing again where it reminds you it can also program shlock.

With the festival lacking much of a Hollywood presence this year, it’s been announced that a Midnight Screening slot has been reserved for “The Fast and the Furious” for its 25th anniversary.

The screening will take place on Wednesday, May 13, at the Grand Lumière Theatre of the Palais des Festivals, attended by stars Vin Diesel, Jordana Brewster, Michelle Rodriguez, producer Neal H. Moritz, and Meadow Walker, the daughter of the film’s late star Paul Walker.

This is being framed as a celebratory, late-night event on the Croisette, leaning into the film’s legacy as the launchpad for one of Hollywood’s most durable franchises. It’s the original 2001 film getting the red-carpet treatment in a setting usually reserved for far more self-serious fare.

It’s also, amusingly, such an unusual movie to screen at Cannes that it kind of becomes the story. A lean, early-2000s action movie about street racing and undercover cops. Cannes, as always, seems to want at least one big, recognizable Hollywood title in the mix, and they’ve absolutely done it here—just in the most unexpected way possible.

And then there’s fest boss Thierry Frémaux, who already dipped into the franchise with a beach screening of “Fast & Furious 9” back in 2021. So this isn’t really a one-off stunt. Cannes “needed” a Hollywood title, and Frémaux went with something he genuinely seems to like. It’s a little odd, but the trades will be getting what they want.

It’s not like the original “The Fast and the Furious” is anything special in terms of quality; it’s more the fact that it spawned one of the most lucrative franchises in Hollywood history, with eight more movies released. And, in my humble opinion, the only semi-watchable installment is 2011’s “Fast Five.”

But hey, just my opinion—there are definitely people who absolutely love these movies. Case in point: Christopher Nolan, who has said he “watches those movies all the time” and has expressed particular affection for “Tokyo Drift,” which he’s referenced in interviews over the years.

← Melissa Barrera: Paramount “Lied” About ‘Scream 7’ Box Office NumbersJennifer Kent Sets Sci-Fi ‘The Girl Who Was Plugged In’ with Sophie Thatcher, Eyes November 2026 Shoot →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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