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Paramount’s Warner Bros. Deal Could Get $1.3 Billion More Expensive as Judge Sets Worst-Case-Scenario March 2027 Trial

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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Maude Apatow’s ‘Poetic License’ Lands at Sony Pictures Classics After Row K Collapse

“Row K” acquired “Poetic License” out of TIFF last year, but Sony Pictures Classics has now stepped in and picked up the film. According to Variety, SPC is planning a release next year.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Ari Aster Sets Next Film ‘Scapegoat’ With Scarlett Johansson at A24

May 6, 2026 Jordan Ruimy

Hey, look at that — Ari Aster’s back.

Aster has now settled on what his next project will be. Sources tell Deadline that Aster is set to write and direct “Scapegoat,” starring Scarlett Johansson. A24, which backed Aster’s first four films, will be behind this project again.

As with all Aster films, plot details are being kept tightly under wraps. So let the “Scapegoat” theories begin.

Aster spent the first half of 2025 writing “Scapegoat,” with Johansson in mind the entire time. She’s an Oscar nominee with a very busy shooting schedule in 2026, including Mike Flanagan’s ‘Exorcist’ as well as shooting “The Batman: Part II” this summer. “Scapegoat” has accommodated all that and will be shooting in the fall.

Back in October, Aster noted that his first two films (“Hereditary” and “Midsommar”) “were better received than my second two” (“Beau Is Afraid” and “Eddington”), and that it was “devastating” to him.

Aster once quipped that he couldn’t believe A24 was “stupid enough” to give him $35M to make “Beau Is Afraid.” They shelled out another $30M for “Eddington,” which also failed to ignite. Maybe that’s the end of that partnership. Bless their twisted hearts, they are back again for another dip into Aster-world.

More curiously, at the time Aster mentioned three possibilities for his next film — a “spiritual sequel” to “Eddington,” a horror movie, and a sci-fi adaptation. He was “trying to determine the right thing to do next.” “Scapegoat” could be any of these three.

It’s hard not to root for him. In an era where so few filmmakers are allowed to play with real budgets and real ambition, Aster remains one of the few U.S. directors swinging for the fences. Say what you will about “Beau Is Afraid” and “Eddington” — they’re not safe. They’re not algorithm-friendly. They’re Ari Aster.

← Jacob Elordi in “Pole Position” for James Bond, Multiple Sources SayNa Hong-jin’s ‘Hope’ Runs 2h40 as Cannes 2026 Schedule Reveals Marathon-Length Lineup →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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