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Alright, Let’s Settle This Once and For All — What’s the Best James Bond Movie?

Alright, let’s settle this once and for all. What’s the best Bond movie? While we wait for the next actor to be cast, let’s do what Bond fans have been doing for six decades: argue about which one is actually the best.

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Whit Stillman Begins Shooting ‘A Night at Claridge's,' His First Film in 10 Years

According to The Irish Examiner, Stillman's "A Night at Claridge's," his first feature since 2016's "Love & Friendship," began production in Limerick this week and is scheduled to wrap in mid-December.

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Edward Berger Still Wants to Direct James Bond: “I'm Incredibly Passionate About It”

We all know Denis Villeneuve is directing the next Bond, but at one point there was a list of five finalists vying for the job: Villeneuve, Edgar Wright, Jonathan Nolan, Paul King, and Edward Berger.

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Peter Berg's ‘The Mosquito Bowl’ Is Too Patriotic for Critics — 39% on Rotten Tomatoes

"The Mosquito Bowl," which hits a small batch of theaters for Oscar-qualifying purposes, currently sits at 39% on Rotten Tomatoes and 42 on Metacritic. Many of its detractors dislike the film's patriotism.

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Martin McDonagh Says Political Correctness Has “Gotten Worse” and Defends Racist Language in His Work

Martin McDonagh has never written to please, and three days before his latest film, "Wild Horse Nine," hits theaters, he's pointing out a disturbing trend he's noticed lately while trying to create his art.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

August 4, 2026 Jordan Ruimy

I’ve mentioned this numerous times, and I’ll say it again: the pushback against Paramount acquiring Warner Bros. is not about antitrust laws; rather, it’s purely political.

The Ellison family has been associated with support for Donald Trump, and CNN’s future ownership is a central element of the merger. Many opponents, particularly those on the political left, fear that David Ellison could steer the network in a more conservative editorial direction. Whether those concerns are justified or not, they have become a central part of the debate—even if few are willing to acknowledge it openly.

This brings me to this morning’s New York Times op-ed penned by David Ellison, in which he says the quiet part out loud: the legal backlash is “not really about market share.” In other words, Ellison argues that opposition to the deal is not being driven primarily by concerns over market competition, but by politics.

Ellison points out that the merger has been “reviewed and approved by regulators reflecting 65 countries, including the United States.” He characterized the objections as stemming from a “plainer worry” about whether he can be trusted to oversee CNN.

Ellison acknowledged that he cannot convince critics of his intentions simply by explaining his beliefs. “Unfortunately, I can’t give anyone a view into my heart and mind,” he wrote, while emphasizing that he has “regularly voted for candidates of both parties” and holds views that are both conservative and liberal.

Ellison also sought to reassure critics that CNN and CBS News would remain politically independent. “I do not aspire to lead these companies to bend their newsrooms to my views,” he wrote, adding, “I believe that news should be based on facts and truth.” He argued that major news organizations must “tell it straight down the middle,” with newsrooms representing “the whole world, not one side of it,” and insisted that journalists will answer “to the facts and to all the people they serve – not to any party or cause.”

Do I believe him? Hard to say. But at least he’s finally addressing the elephant in the room: CNN. That conversation should have happened months ago, because pretending that CNN’s future editorial direction isn’t a major factor in the backlash surrounding this merger is simply unrealistic.

The essay comes as Ellison’s proposed WBD takeover faces a major legal challenge. A coalition of 12 states and the Writers Guilds has sued to block the merger on antitrust grounds, while a California judge has temporarily halted the deal. Paramount is seeking a November trial, while the states want April 2027, leaving the merger’s fate uncertain.

← Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”Maude Apatow’s ‘Poetic License’ Lands at Sony Pictures Classics After Row K Collapse →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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