The Mexican filmmaker made a pitstop over at Konbini Video, which is basically France’s version of the Criterion Closet, but better. The video, uploaded yesterday, is an absolute gem.

I haven’t properly tackled “Train Dreams” yet, but let me start by saying this: it’s well worth seeing. Try to watch it on the big screen, if you can find it.

After losing $100M+ on his passion project, “Megalopolis,” Francis Ford Coppola, 85, is currently undergoing a fire sale of his own private assets.

From “Metropolis” to “The Thing,” “Psycho” to “Blade Runner,” these movies remind us that critical opinion is never set in stone —and that true artistry often requires time to be fully appreciated.

Early audience reactions are glowing: the film earned a 5-star rating and a 78% definite recommend on PostTrak, while now projected for a franchise-record opening of $37M and an A- CinemaScore.

Here’s a first look at “Next Life,” the next film from Drake Doremus—whose name will always be tied to the burst of indie-romantic energy he unleashed with his 2011 breakout, “Like Crazy.”

Guillermo del Toro’s “Frankenstein” is now available to stream on Netflix, and with that, I want to read your thoughts on this one. Is it the Oscar-worthy film some of the “experts” claim it to be?

I get it, “Die My Love” is not conformist. It’s raw, jagged, and emotionally unrelenting — a film that refuses to offer comfort or catharsis. It’s the kind of experience that leaves you uneasy rather than uplifted.

When are the remakes going to stop? Does Hollywood not have a shred of originality left in its bones to come up with a story that hasn’t been told before?

With a low single digit weekend expected, “Christy” is bound to join a growing list of adult-oriented, Oscar-bait films that have stumbled at the box office this fall.

After disappearing in the wake of “Mektoub, My Love: Intermezzo,” a 3.5-hour nightclub experiment never released theatrically, but which I found utterly transfixing, Abdellatif Kechiche is back.

Gosh, Jeremy Renner seems to be in some hot water. This could have easily been avoided, but he went ahead and used a messaging app to lay out the evidence.

Chalamet’s critics are saying that he comes across as a bit self-aggrandizing and intense about the process, and that’s rubbed them the wrong way. Most actors temper disappointment with a polite shrug, but Chalamet has no problem saying he outright wants to win.

In its first six hours after dropping, the first trailer racked up over 30M views overall. That’s a record for Lionsgate and top 10 all-time numbers for “Michael.”

Last month, it was announced that “Kill Bill: The Whole Bloody Affair” — the unified 248-minute cut — was set for its first-ever nationwide theatrical release this December 5

Critics were sent the first few episodes, and there’s almost nothing but good ink being dished out on this show: an 85 on Metacritic and 100% on Rotten Tomatoes.