• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer!
Read more →
IMG_9545.jpeg
‘I Play Rocky’ Blows the Roof Off TIFF! Becomes Best Picture Contender, Critics Sharpen Knives

To say it blew the roof off the place would be an understatement. I don't think I've ever seen a Toronto audience — any festival audience — embrace a movie the way they did last night.

Read more →
IMG_9546.jpeg
Mahershala Ali Is Extraordinary in ‘Your Mother Your Mother Your Mother,' Strong Film With One Ending Too Many [TIFF]

Marvel killed “Blade,” so now here are Ali and Bassam Tariq with a small, strange, hand-made thriller in which Ali is a blade-carrying assassin. Nobody involved is pretending the timing is an accident.

Read more →
IMG_9542.jpeg
Zack Snyder Says He Still Hasn't Seen James Gunn's ‘Superman' — Months After Calling It “Amazing”

Earlier this year, Zack Snyder mentioned having seen James Gunn’s “Superman.” Heaping praise on it. Now he’s saying he actually hasn’t caught up with it yet?

Read more →
IMG_9540.jpeg
May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

Readers’ Thoughts on Guillermo del Toro’s ‘Frankenstein’?

November 8, 2025 Jordan Ruimy

Guillermo del Toro’s “Frankenstein” is now available to stream on Netflix, and with that, I want to read your thoughts on this one. Is it the Oscar-worthy film some of the “experts” claim it to be? I don’t believe so, but more on that a few paragraphs below.

It should have been a movie event. Del Toro’s decades-in-the-making passion project quietly hit theaters three weeks ago, but in very limited fashion, with Netflix refusing to divulge its box office numbers.

I had seen it at Venice, where it earned okay reviews, but it has enjoyed a strong post-Lido reception from both critics and audiences. Its Metascore is 78 and it sits at 85% on Rotten Tomatoes. It might even get a Best Picture nomination, according to the pundits — #8 on Gold Derby’s charts.

The film features a richly developed, character-driven ensemble. Oscar Isaac, Jacob Elordi, Mia Goth, and Christoph Waltz lead the cast, supported by talents such as Lars Mikkelsen, Ralph Ineson, and Charles Dance.

My take: you can see all the hallmarks of del Toro’s cinema—lavish sets, meticulous production design—but the film ultimately feels like a polished Netflix blockbuster rather than the imaginative delirium of “Pan’s Labyrinth.” Isaac gives a committed performance, but his Victor Frankenstein is stripped of any idealism and becomes a cartoonish madman, while Jacob Elordi’s monster is more spectacle than character, lacking the weight of Shelley’s original intent. At times, I found Elordi to be more of a CGI creation than practical character.

The script is also full of these theatrical flourishes that emphasize style over substance. The supporting actors, like Mia Goth and Christoph Waltz, are underutilized, and even the score and staging, though evocative, fail to rescue this emotional emptiness. Del Toro’s adaptation somehow turns Shelley’s meditation on creation and mortality into this visually striking but ultimately hollow exercise in glossiness.

Of course, I’m planning to rewatch it on Netflix this weekend. It’s been three months since I last saw it, so maybe it will suddenly spark for me, but I have my doubts. What did our readers think of the film? I gather many who skipped it in theaters are going to watch it in the comfort of their own homes this weekend. Post your thoughts below.

← First Look: Drake Doremus’ ‘Next Life’ Starring Emilia Clarke and Edgar Ramirez‘Die, My Love’ Gets D+ CinemaScore →

FOLLOW US!

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_9412.jpeg
Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

Read more →
IMG_9228.jpeg
Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

Read more →
IMG_9202.jpeg
Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

Read more →
IMG_9001.jpeg
Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026