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Paul Schrader’s ‘The Basics of Philosophy’ Is a Hollow, Lifeless Misfire [Venice]

It gives me no pleasure to report that this is one of the worst films of Schrader’s career. Wooden acting, Jack Huston and Sofia Boutella are badly miscast, the script is dull, the photography is flat; nothing works.

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Michael Keaton and Morgan Freeman Western ‘Rode to Ruin’ Lands at Angel Studios for 2027 Release

The movie, due to release in 2027, is described as “a haunting Western thriller that follows a retired U.S. Marshal whose forty-year search for his wife’s killer leads him to an outlaw losing his memory.

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‘Alpha Gang’ First Look: Cate Blanchett Leads the Zellners’ Bizarre 1950s Alien Biker Gang

Alongside Blanchett, the film features a wildly eclectic ensemble including Dave Bautista, Lily-Rose Depp, Riley Keough, Léa Seydoux, Kelvin Harrison Jr. and Chris Pine

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‘Dungeons & Dragons 2’ Is Being Shopped to Other Studios After Paramount Passed on the Sequel

The film grossed only $205M against a $150M budget, losing Paramount a significant amount of money. It did, however, gain a decent following on streaming, but the financial risk for a sequel is ever-present.

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Did Danny Boyle’s ‘Ink’ Use AI to Recreate Margaret Thatcher?

Thatcher shows up on-screen for, at most, 10 seconds. She looks remarkably like Thatcher and comes off as almost too polished, non-human like. Further clues are pointing at AI.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Quentin Tarantino’s ‘Kill Bill: The Whole Bloody Affair’ Has A Trailer — 4-Hour Cut Comes Out in December

November 7, 2025 Jordan Ruimy

This has been a long time coming. Although Quentin Tarantino hasn’t dropped a new film in more than six years, he’s now digging into the vault and treating his most devoted fans with a highly demanded release.

Last month, it was announced that Tarantino’s “Kill Bill: The Whole Bloody Affair” — the unified 248-minute cut combining “Kill Bill Vol. 1” and “Kill Bill Vol. 2” with an intermission — was set for its first-ever nationwide theatrical release this December 5 from Lionsgate. The rollout will feature screenings in both 70mm and 35mm formats, with plans to reach all major markets.

We now have a trailer that effectively blends both films into two minutes. It looks like we’re getting the uncensored Crazy 88 fight — in color. If you remember, to avoid an NC-17 rating, Tarantino originally switched the sequence to black and white to lessen the impact of the blood, which appeared far more graphic in color.

“I wrote and directed it as one movie — and I’m so glad to finally give fans the chance to see it as one movie,” Tarantino said in a statement. “The best way to experience ‘Kill Bill: The Whole Bloody Affair’ is in a theater, in glorious 70mm or 35mm. Blood and guts on the big screen in all their glory!”

The combined cut eliminates Volume 1’s cliffhanger and Volume 2’s opening recap, while adding a never-before-seen 7½-minute animated sequence. Some other minor changes have been made, but otherwise, this is basically both parts stitched up together as one big movie event.

The story goes that “Kill Bill” was split into two parts primarily due to runtime and narrative reasons. When Tarantino completed his original cut, the movie was about four hours, which he and producer Harvey Weinstein agreed was too long for a single theatrical release. The first was released in fall 2003, followed by the second in spring 2004.

Regardless, I didn’t mind the split. The two ‘Kill Bill’ instalments feel strikingly different in tone and structure, which helps explain why splitting them made sense. Vol. 1 is a high-octane, action-heavy revenge saga, dominated by visually stylized fight sequences and relentless pacing, while Vol. 2 slows down considerably, focusing on character backstory, with far less action. That’s why the original two-part release worked and why Tarantino’s “Kill Bill: The Whole Bloody Affair” feels like a natural solution.

And in case you’re wondering, Tarantino counts both ‘Kill Bill’ instalments as a single movie, which is why he says he has directed nine films in his career, with one final film left to make before he retires — or so he claims.

← ‘Michael’ Trailer Hits 30M Views in Six Hours — Lionsgate Teases sequelVince Gilligan’s ‘Pluribus’ Earns RAVES From Critics →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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