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Alma Har’el’s ‘Wet’ Acquired by Lionsgate: Starring Javier Bardem, Rebecca Ferguson, Connor Storrie, Odessa A’zion and Rosalia

It’s been seven years since Alma Har’el’s feature debut, “Honey Boy,” which was written by and starred Shia LaBeouf — she is now set to direct her next film, with a very talented cast.

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Quentin Tarantino Fired Isabelle Huppert From ‘Inglourious Basterds' for Skipping the Table Read

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Park Chan-wook Says ‘The Brigands of Rattlecreek' is “Very Violent” and the “Most Brutal” Film He's Ever Made

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Francis Lawrence Calls James Gunn “An Impediment” to ‘Constantine 2,’ Says He's “More Hopeful" Now That They're Gone

James Gunn wrote on Instagram this week that he was "incredibly relieved" to be out at DC Studios. Turns out he's not the only one.

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Jim Caviezel Was “Heartbroken” When Mel Gibson Recast Jesus in ‘The Resurrection of the Christ'

For 20 years, the assumption was that whenever Mel Gibson got his "Passion of the Christ" sequel off the ground, Jim Caviezel would be front and center.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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Vince Gilligan’s ‘Pluribus’ Earns RAVES From Critics

November 7, 2025 Jordan Ruimy

If there ever was such a thing as “auteur” TV, the names that would probably be mentioned first are David Chase (“The Sopranos”), David Simon (“The Wire”), Matthew Weiner (“Mad Men”), Noah Hawley (“Fargo”), Damon Lindelof (“Lost,” “The Leftovers,” “Watchmen”), and Vince Gilligan (“Breaking Bad”).

These are the showrunners who not only created distinctive worlds but also infused them with their own unmistakable voice — shaping television into something as personal, expressive, and artistically ambitious as cinema itself.

After years of rumors and cryptic social media posts, we’re finally getting Gilligan’s long-brewing Apple TV+ series, “Pluribus.” Announced back in 2022 with little more than a logline and Rhea Seehorn in the cast, the show has now premiered its first two episodes on Apple TV+. A new episode is set to air every Friday through December 26.

The new series marks Gilligan’s return following the one-two punch that was “Breaking Bad” and “Better Call Saul,” and like the latter, “Pluribus” stars Seehorn, whose performance as Kim Wexler is still very fresh in my mind.

The embargo lifted last night, and so far, so good — reviews are great for “Pluribus.” Critics were sent the first few episodes, and there’s almost nothing but good ink being dished out on this show: an 85 on Metacritic and 100% on Rotten Tomatoes. Bring it on.

Seehorn steps into what Gilligan has called a “more heroic” lead role — though how exactly that plays out remains a mystery. The logline, in true Gilligan fashion, is cryptic to the point of abstraction: “A genre-bending original in which the most miserable person on Earth must save the world from happiness.”

A trailer dropped two weeks ago.

Gilligan has described the series as written specifically for Seehorn. One major shift from the “Breaking Bad” universe? The moral center. While Walter White and Jimmy McGill were exercises in villainous leads, “Pluribus” is being framed as, in Gilligan’s words, a story about the “good guys.”

Gilligan’s track record speaks for itself, but “Pluribus” arrives with high expectations and very little revealed. Regardless, this is a big test for Gilligan, as his last two acclaimed shows were part of the same universe. The showrunner is now branching out into what seems to be a neo–sci-fi project.

Joining Seehorn in the cast are Karolina Wydra and Carlos-Manuel Vesga, with Miriam Shor and Samba Schutte appearing in guest roles. The series consists of 10 episodes. Gilligan has hinted that the project felt like a return to his “X-Files” roots.

← Quentin Tarantino’s ‘Kill Bill: The Whole Bloody Affair’ Has A Trailer — 4-Hour Cut Comes Out in DecemberCinema Influences Modern Betting Trends [SPONSORED] →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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