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Alma Har’el’s ‘Wet’ Acquired by Lionsgate: Starring Javier Bardem, Rebecca Ferguson, Connor Storrie, Odessa A’zion and Rosalia

It’s been seven years since Alma Har’el’s feature debut, “Honey Boy,” which was written by and starred Shia LaBeouf — she is now set to direct her next film, with a very talented cast.

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Quentin Tarantino Fired Isabelle Huppert From ‘Inglourious Basterds' for Skipping the Table Read

Imagine firing Isabelle Huppert from your movie. One of the great actresses of all time, the woman behind "The Piano Teacher," "La Cérémonie" and "Elle," dropped because she missed a table read.

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Park Chan-wook Says ‘The Brigands of Rattlecreek' is “Very Violent” and the “Most Brutal” Film He's Ever Made

Are we really that surprised? The original draft was written by S. Craig Zahler, the guy behind "Bone Tomahawk," "Brawl in Cell Block 99" and "Dragged Across Concrete."

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Francis Lawrence Calls James Gunn “An Impediment” to ‘Constantine 2,’ Says He's “More Hopeful" Now That They're Gone

James Gunn wrote on Instagram this week that he was "incredibly relieved" to be out at DC Studios. Turns out he's not the only one.

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Jim Caviezel Was “Heartbroken” When Mel Gibson Recast Jesus in ‘The Resurrection of the Christ'

For 20 years, the assumption was that whenever Mel Gibson got his "Passion of the Christ" sequel off the ground, Jim Caviezel would be front and center.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Neon Picks Up ‘Once Upon A Time In Harlem’ Following Sundance Raves

February 5, 2026 Jordan Ruimy

The best-reviewed film from this year’s Sundance Film Festival was non-fiction: David Greaves’ “Once Upon a Time in Harlem.” A remarkable work, it brings the Harlem Renaissance to life through candid interviews, rare archival footage, and the voices of the artists, musicians, and writers who lived it.

After a heated bidding war to acquire the documentary, Neon has secured U.S. distribution rights and plans to release it in theaters later this year. At various points, Netflix, Sony Pictures Classics, and Mubi were also in the mix.

Shot in 1972 by William Greaves at Duke Ellington’s Harlem townhouse, the film captures a gathering of Harlem Renaissance figures—musicians, writers, artists, and actors—as they reminisce, debate, and reflect on the movement they helped shape. Forgotten for decades, over four hours of footage were later curated by Greaves’ son into this 100-minute documentary.

The Harlem Renaissance was crucial, emerging just decades after the abolition of slavery and giving Black Americans a powerful platform to assert their cultural and intellectual identity. It was the cultural boom they needed to feel unshackled from the past.

On paper, this doc might sound dry, but it’s more than a history lesson; it offers intimate, salon-like conversations with some of the most notable figures of the movement—it’s a vibrant hangout movie. An utterly fascinating one at that.

This film feels like a piece of history suddenly unearthed for us all to witness. A rare treasure suddenly arriving, its very presence feels damn-near miraculous and could reshape the way we view the Harlem Renaissance — a time and place that seems to have been lost to memory, yet here it is, vivid and alive, demanding to be seen with a fresh set of eyes.

“Once Upon a Time in Harlem” currently holds a 94 on Metacritic and 100% on Rotten Tomatoes. It’s almost safe to say it will likely be Oscar-nominated next year for Best Documentary.

← The Best Films Made by Directors Over 80 — and the Myth of Creative DeclineMatt Ross’ ‘Kockroach’ to Star Chris Hemsworth, Taron Egerton and Zazie Beetz — Starts Shoot in April →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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