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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Dan Trachtenberg Signs Three-Year Deal With Paramount — ‘World War Z’ Sequel Next?

February 5, 2026 Jordan Ruimy

Here’s the big story of the day — Dan Trachtenberg is officially entering a new chapter in his career by signing a three-year first look deal at Paramount Pictures.

The filmmaker behind “10 Cloverfield Lane,” “Prey,” “Predator: Killer of Killers,” and “Predator: Badlands” will develop, direct, and produce large-scale theatrical features for the studio.

You can read between the lines here, including the carefully curated statement released by Trachtenberg and Paramount, but it does sound like he’s done making Predator movies over at 20th Century. The last one, ‘Badlands,’ earned $184M against a $105M budget— that’s not good — it probably lost anywhere between $60-$80M.

There’s a nice bit of symmetry here, too. Trachtenberg’s relationship with Paramount dates back to “10 Cloverfield Lane,” a tensely orchestrated sci-fi thriller that marked his feature directorial debut. That film went on to gross more than $110M worldwide on a reported $15M budget. It was the film that made me keep an eye out for Trachtenberg as a talent to watch.

This all naturally raises the question: what does Paramount want Trachtenberg to tackle next?

The InSneider, tackling Trachtenberg’s newly minted deal, is speculating, possibly hinting, that signs might be pointing at the direction of “World War Z.” Whether as a sequel or a full-scale reboot, the project would certainly play directly into Trachtenberg’s strengths. Brad Pitt’s involvement is up in the air, and since David Fincher’s sequel failed to materialize, it might now be up to Trachtenberg to steer this IP forward.

“World War Z” also represents a rare case of a blockbuster that clearly justified a follow-up but never received one. The 2013 film went on to earn roughly $540M worldwide, making it Paramount’s highest-grossing movie of that year.

The fact that a true sequel never materialized remains one of Paramount’s bigger missed opportunities—especially in an era now dominated by long-running IP—making the property ripe for revival under Trachtenberg.

← Sony Wanted ‘Send Help’ on Streaming — Sam Raimi Said No and Took It to 20th CenturyThe Best Films Made by Directors Over 80 — and the Myth of Creative Decline →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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