The central dynamic is essentially a duel between the villain played by Jack O’Connell and Ralph Fiennes’ bone shriner, Dr. Ian Kelson, who has a larger role than in the first instalment.

This is supposed to be Gus Van Sant’s comeback? After seven years away, the director of “Elephant,” “Drugstore Cowboy,” and “Good Will Hunting” returns with a strange, oddly inert film.

“Good Luck, Have Fun, Don’t Die” is set to be Gore Verbinski’s first film in over nine years. He’s assembled an excellent cast for his comeback vehicle.

Bigelow’s film lands an 88 on Metacritic, and just like that, Netflix has their shiny new awards-season thoroughbred. Move over, “Jay Kelly.”

I wasn’t sure this one would ever land U.S. theatrical distribution … Then again, we’re in the era of Briarcliff, Ketchup, and Vertical.

Universal had originally staked out October 23, 2026 for Peele’s fourth feature, but that date is now gone.

The doc seems to delight in the chaos. The logistics, before, and during production, must have been a total nightmare to experience for cast and crew. Coppola, financing his own dream project, comes off as a control freak.

Rian Johnson is probably less than thrilled—but he did sign on to these ‘Knives Out’ movies fully aware of Netflix’s well-known aversion to the theatrical model.

The official social channels tied to the project have recently been updated. I’m now being told that a trailer is actually set to release on Wednesday.

Last year, Mike Flanagan, hopped on-board to direct the next two ‘Exorcist’ movies, with the first instalment titled “Exorcist: Deceiver” and set for fall 2026 release.

At this stage in his career, Woody Allen seems to speak with very little concern for how his words will land in the court of public opinion.

You’ve got to hand it to Ridley Scott, he’s 87 and has a bunch of projects in development, many of which I presume will never see the light of day. The man believes he’ll live until 120.

Graham Greene, the quietly commanding Canadian actor whose work brought depth, dignity, and humor to Indigenous representation on screen, has died at the age of 73.

Emotions running high, an Oscar campaign officially born, and the recipient is none other than Dwayne Johnson (video). That’s right, “The Rock” could very well win an Oscar.

In “The Smashing Machine,” Johnson proves he can seriously act; he insists on being seen, flaws and all. And for that alone, the movie is absolutely worth watching.

“The Testament of Ann Lee” is a borderline self-absorbed, and incoherently messy. Fastvold and co-writer Brady take themselves way too seriously.

One executive tells THR they’re “very, very nervous for the future,” pointing less to a shortage of films than a shrinking audience for them.

Snoop Dogg has clarified recent comments he made about Pixar’s Lightyear after severe backlash formed online.

Jarmusch has always had the gift of turning dead air into art, and in “Father Mother Sister Brother” he pushes that to an extreme.

Here’s another Venice competition title that’s receiving mixed reviews, and for good reason. That’s because Olivier Assayas’ “The Wizard of Kremlin” decides to focus on the wrong character.