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BREAKING: Netflix Wins Bidding War to Acquire Warner Bros.
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Matt Reeves Defends Paul Dano After Quentin Tarantino Calls Him “The Limpest Dick in the World”
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AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Luc Besson’s ‘Dracula’ Acquired by Vertical for 2026 Wide Release

September 2, 2025 Jordan Ruimy

I wasn’t sure this one would ever land U.S. theatrical distribution … Then again, we’re in the era of Briarcliff, Ketchup, and Vertical—indie outfits stepping in to scoop up so-called “problem films” like “The Apprentice,” “Coyote vs. Acme,” and “Magazine Dreams.”

Following its July run in France, Vertical has picked up North American rights to Luc Besson’s “Dracula: A Love Tale.” Starring Caleb Landry Jones and Christoph Waltz, the film is now slated for a wide theatrical release in early 2026.

“Dracula” reunites Besson with his “Dogman” star Caleb Landry Jones. Retelling the Dracula story is always a tall order—especially so soon after Robert Eggers’ “Nosferatu” remake.

Monster movies are hot right now, and Vertical clearly thinks this one has commercial potential. I’m not so sure—but then again, I don’t run a production company, so what would I know?

Having seen the trailer, am I alone in thinking this latest version feels like a flashy retread of Coppola’s “Bram Stoker’s Dracula”? It doesn’t help that the film earned mixed reviews in France back in July.

The main draw here is Caleb Landry Jones, an actor who excels in oddball, chameleon-like roles. But judging by the trailer, this looks less like something vital and more like an over-stylized, self-important remix of Coppola’s “Dracula.”

Besson, of course, built his name on a run of ’80s and ’90s hits—“The Big Blue,” “La Femme Nikita,” “Léon: The Professional,” “The Fifth Element”—and later penned 2008’s “Taken,” the film that spawned more than a decade of one-man-army knockoffs.

← Kathryn Bigelow’s ‘A House of Dynamite’ Earns RAVES — 88 on MC [Venice]Jordan Peele’s Next Film Pulled From Universal’s 2026 Schedule →

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