Following his Palme d’Or win at this year’s Cannes Film Festival, celebrated Iranian director Jafar Panahi has landed back in Tehran — and received a hero’s welcome (via The Guardian).

Aaron Taylor-Johnson, long rumored to be in line for the iconic role, has just been unveiled as a global ambassador for Omega — a brand that’s been synonymous with Bond since GoldenEye.

Speaking to MovieWeb, Payne revealed that he and longtime collaborator Jim Taylor are “actively working” on a follow-up inspired by Tom Perrotta’s 2022 novel Tracy Flick Can’t Win.

The planned screening of the ‘Schumacher Cut’ has been canceled. Warner Bros. reportedly issued a cease-and-desist letter to Cinefile Video.

Here’s Deadline’s box office sources implying that “Lilo & Stitch” will have the biggest Memorial Day opening in history — $180M is the current tally.

Despite a bloated $200M budget and the glossy sheen of John Krasinski and Natalie Portman playing bickering siblings on a myth-hunting world tour.

I’m wondering if, much like Pawlikowski’s last two films, this one will also be shot in Żal‘s stunningly lensed black and white. It’s a period piece, so it would make sense for both to continue on this monochrome-infused path.

The general consensus? Juliette Binoche and her jury did what they could with what they were given. The 2025 winners were mostly fair and decidedly cautious.

In a recent Instagram post, filmmaker Michael Bay appeared to shut down rumors that he’s currently directing a “Skibidi Toilet” film, despite several reports earlier, from official sources, this week suggesting otherwise.

I imagine many of our readers are planning to see it on the big screen—or may have already caught an early showing. What did you think? Where does it land in your personal “Mission: Impossible” rankings?

The clock is ticking down—less than three hours now until the Palme d’Or is announced—and the Croisette is humming with rumors.

Jean-Pierre and Luc Dardenne are back on familiar ground in “The Young Mother’s Home,” a quietly powerful film that finds the Belgian auteurs once again doing what they do best

“Honey Don’t,” Ethan Coen’s second solo effort, following “Drive-Away Dolls,” has crashed and burned with critics; pans coming from THR, IndieWire, The Wrap, Collider, Variety, Vulture, and Inverse.

I saw roughly a dozen Un Certain Regard titles this year. Unlike last year, there weren’t many good ones—even among some of the films awarded this evening at Salle Debussy.

“The Mastermind” is also Reichardt’s most entertaining film due to its subversive, and its compelling character study. It’s quietly gripping, distinctively melancholic, never dull, and breezy in execution.

Lionsgate and producer Graham King have officially decided that their long-in-the-works Michael Jackson biopic “Michael” needs some heavy lifting before it’s ready to moonwalk into theaters.

At this point, there have been so many Star Wars projects in development over at Kathy Kennedy’s Lucasfilm that it’s becoming increasingly difficult to keep track of them all.