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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Josh Safdie’s ‘Marty Supreme’ is One of the Best Films of the Year — Timothée Chalamet Has Never Been Better

December 1, 2025 Jordan Ruimy

UPDATE: It’s all-out raves: 88 on Metacritic and 95% on Rotten Tomatoes.

The review embargo has lifted, and I can now confidently say that Josh Safdie’s “Marty Supreme” is one of the best films I’ve seen this year — certainly up there with the most ambitious. It has everything you could want in a movie. It’s an original celebration of the American drive for greatness—and the first true ping pong epic.

Set in 1950s New York City, Timothée Chalamet deserves an Oscar for his portrayal of Marty Mauser, a 23-year-old shoe store salesman desperate for money to fund his trip to Europe for the table tennis championships—and willing to do whatever it takes to get there.

The film is bookended by the most thrilling ping pong matches ever captured on screen — Chalamet trained for nearly four years to get the table tennis chops he displays here. Props to Darius Khondji, a master DP, who infuses the film via moody, atmospheric cinematography with rich textures, and grainy realism.

In between, Safdie channels full “Uncut Gems” energy, chronicling the chaotic adventures Marty faces on his quest for funding and glory. One scheme after another spirals into tense, comedic, and occasionally perilous situations, threatening Marty’s life—and those around him—yet he somehow always finds a way out of the mayhem he causes. At times, the chaos can feel overwhelming, but the sheer ambition and audacity Safdie displays is exhilarating to watch.

The supporting cast is wonderfully eccentric. A parade of memorable characters comes and goes, including Gwyneth Paltrow as a married actress seduced by Marty, and her ultra-wealthy husband, perfectly played by Kevin O’Leary, whowho controls the funding for Marty’s quest to compete in the European championships. Odessa A’zion delivers a breakthrough performance as Marty’s pregnant girlfriend. All three deserve Oscar nominations — yes, even O’Leary.

If I had any doubts about Chalamet, he’s swept them away. The kid us mesmerizing, transforming a brash, irritating punk into someone you can’t help but root for. It’s the best performance of his career. His character’s relentless and obsessive drive for greatness is infectious, and watching him navigate every obstacle the film throws at him is utterly compelling.

Watching this film, it becomes clear who was the driving force behind the Safdies’ unique vision, which has resulted in films like “Heaven Knows What,” “Good Time,” and “Uncut Gems”—it was Josh. The gutter poetry style he brought to those films is on full display here, but executed in a more commercial fashion. Unlike those other films, “Marty Supreme” plays like a total crowd-pleaser.

← Panos Cosmatos' ‘Flesh of the Gods’ Still Can't Secure the Money to Shoot, Despite A-List CastLilly Wachowski on the Right-Wing Hijack of ‘The Matrix’ Red Pill: “This Is What Fascism Does” →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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