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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Josh Safdie’s ‘Marty Supreme’ is One of the Best Films of the Year — Timothée Chalamet Has Never Been Better

December 1, 2025 Jordan Ruimy

UPDATE: It’s all-out raves: 88 on Metacritic and 95% on Rotten Tomatoes.

The review embargo has lifted, and I can now confidently say that Josh Safdie’s “Marty Supreme” is one of the best films I’ve seen this year — certainly up there with the most ambitious. It has everything you could want in a movie. It’s an original celebration of the American drive for greatness—and the first true ping pong epic.

Set in 1950s New York City, Timothée Chalamet deserves an Oscar for his portrayal of Marty Mauser, a 23-year-old shoe store salesman desperate for money to fund his trip to Europe for the table tennis championships—and willing to do whatever it takes to get there.

The film is bookended by the most thrilling ping pong matches ever captured on screen — Chalamet trained for nearly four years to get the table tennis chops he displays here. Props to Darius Khondji, a master DP, who infuses the film via moody, atmospheric cinematography with rich textures, and grainy realism.

In between, Safdie channels full “Uncut Gems” energy, chronicling the chaotic adventures Marty faces on his quest for funding and glory. One scheme after another spirals into tense, comedic, and occasionally perilous situations, threatening Marty’s life—and those around him—yet he somehow always finds a way out of the mayhem he causes. At times, the chaos can feel overwhelming, but the sheer ambition and audacity Safdie displays is exhilarating to watch.

The supporting cast is wonderfully eccentric. A parade of memorable characters comes and goes, including Gwyneth Paltrow as a married actress seduced by Marty, and her ultra-wealthy husband, perfectly played by Kevin O’Leary, whowho controls the funding for Marty’s quest to compete in the European championships. Odessa A’zion delivers a breakthrough performance as Marty’s pregnant girlfriend. All three deserve Oscar nominations — yes, even O’Leary.

If I had any doubts about Chalamet, he’s swept them away. The kid us mesmerizing, transforming a brash, irritating punk into someone you can’t help but root for. It’s the best performance of his career. His character’s relentless and obsessive drive for greatness is infectious, and watching him navigate every obstacle the film throws at him is utterly compelling.

Watching this film, it becomes clear who was the driving force behind the Safdies’ unique vision, which has resulted in films like “Heaven Knows What,” “Good Time,” and “Uncut Gems”—it was Josh. The gutter poetry style he brought to those films is on full display here, but executed in a more commercial fashion. Unlike those other films, “Marty Supreme” plays like a total crowd-pleaser.

← Panos Cosmatos' ‘Flesh of the Gods’ Still Can't Secure the Money to Shoot, Despite A-List CastLilly Wachowski on the Right-Wing Hijack of ‘The Matrix’ Red Pill: “This Is What Fascism Does” →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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