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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Curry Barker’s ‘Obsession’ Trimmed After NC-17 Rating From the MPA

March 16, 2026 Jordan Ruimy

The best horror film I saw at last year’s fall fests was “Obsession,” Curry Barker’s feature debut, which premiered at TIFF’s Midnight Madness on a Friday night. No surprise—it sparked a bidding war. Focus Features ended up nabbing the film in a deal said to be around $15M.

“Obsession” has been getting strong reviews from critics and is set for a theatrical release this summer, but sadly it won’t be the same version I saw last year.

According to Deadline, the key scene—the most memorable in the film—involving a possessed girl smashing another girl’s head against a steering wheel was so violent that it initially resulted in an NC-17 rating from the MPA. It’s now come to the point where the violence has had to be trimmed down to get a more accessible “R” rating.

“There were about six or seven more [head] smashes,” Barker said. “And we were getting an NC-17 rating. So they were like, you’ve got to take out some of the smashes. And I was like, I’m not taking out a single bash. But I did.”

Barker insists that the movie—and this scene in particular—will still feel “really f—ing hardcore.” He continued, “I’d watch from the back of the theater and see the way everyone reacted—whatever the number is now, it’s the right number… I just like the honesty of human behavior. I like to study human behavior, and I think that lends itself to comedy, and it does lend itself to horror. To be funny and relatable, you kind of have to look at the psychology of why people do things. And that kind of lends itself to this genre as well.”

All I will comment about this matter is: the MPA strikes again. Yes, the scene in question is very graphic—but an NC-17 rating? Really?

Barker has already lined up his sophomore feature at Paramount, with Jason Blum and Roy Lee producing. He’s another YouTube breakout transitioning to cinema. Barker is behind 2024’s $800 DIY short “Milk & Serial” (2M views and counting), and with “Obsession” he delivers a horror-comedy hybrid that’s incredibly unnerving.

The premise: Michael Johnston plays Bear, a shy kid who can’t confess his feelings to his childhood friend Nikki (Inde Navarrette). Instead, he purchases a toy from an antique store that grants one wish. Nikki falls for him instantly—but under a curse that flips affection into mania.

What follows is part awkward rom-com, part psychological horror. Navarrette is the real standout here—her performance is deranged, hilarious, and terrifying all at once. She wails, grins, and stalks with a commitment that borders on possessed psychopathy.

“Obsession” hits theaters nationwide on May 15, 2026, via Focus Features. If they market this one right—and given the immense popularity of the horror genre at the moment—the film has the potential to turn into a box office success.

← FIRST LOOK: Timothée Chalamet in ‘Dune: Part Three’; Seven Character Posters RevealedAfter PTA’s Win, These 12 Great Filmmakers Still Haven’t Won a Best Director Oscar →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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