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DC Studios Boss Jeremy Latcham Wants More Faith-Inspired, Family-Friendly Movies

Now that Jeremy Latchman has replaced James Gunn and Peter Safran as DC Studios CCO, the guy’s past will now be scrutinized ad nauseam by online hordes, and it’s already started.

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Sebastián Lelio's Final Film ‘Chilean Poet' Was One Week From Wrapping When He Died

Lelio had been shooting his adaptation of Alejandro Zambra's acclaimed 2020 novel since September in Santiago. Production reportedly continued on November 5, the day before his death.

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James Gray: “You Don't Win Jacksh*t” at Cannes “If You're an American”

James Gray has never been one to bite his tongue, especially about Cannes, a festival he's had a love-hate relationship with for decades, and he’s certainly not about to start now.

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Alex Proyas Directing Antonio Banderas in ‘Cortés’, an “AI-Enabled” Epic, and His First Film in 10 Years

Alex Proyas, who directed “The Crow” and “Dark City,” and a full decade after “Gods of Egypt,” is currently shooting “Cortés” with Antonion Banderas in Paris.

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James Gunn Is “Incredibly Relieved" to Be Fired After “Trying” Four Years, Forgets ‘Supergirl’ Ever Existed

Hours after being shown the door at DC Studios, James Gunn has posted his farewell on Instagram. The gist? He never really liked the job anyway.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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Brad Bird is Pushing Netflix to Release ‘Ray Gunn’ in Theaters: “I Don’t Know If They’re Listening”

June 27, 2026 Jordan Ruimy

We’ve already tackled Brad Bird’s plea to Netflix for “Ray Gunn” to get a theatrical release. At the moment, the film is set to premiere direct to streaming on December 18, with no theatrical rollout planned, for now.

Speaking to Polygon at the Annecy Festival, Bird admits that, while grateful to Netflix for financing and supporting the project, he continues to push for a theatrical release, arguing that “Ray Gunn” is best experienced on the biggest screen possible.

“I’m talking. I don’t know whether they’re listening,” Bird said with a laugh. “I’m very grateful that the film exists, and it exists because Netflix was willing to take a flyer on the idea and they’ve been tremendously supportive. That said, it’s not news to anyone that I’m a big fan of theatrical […] I believe it’s the best way to see this movie the first time you see it.”

Although Netflix has recently given select titles limited theatrical runs, Bird said he’s unsure whether the streamer will do the same for “Ray Gunn.” In the meantime, he encourages fans to find the largest screen they can—even if it means a neighbor’s TV—to experience the film the way he believes it was meant to be seen.

“I would recommend you find the biggest screen you can, even if it’s down the street at your neighbor’s place,” he says. “Barge right in there and say, ‘We’re seeing this movie because you have a big screen and that’s the way it should be seen.’”

Adding to the frustration, “Ray Gunn” has reportedly received very high test scores, despite being screened in a rough, unfinished state. Then there are the internal disputes plaguing the film. There have reportedly been “struggles” regarding the film’s runtime and eventual rating.

While no final rating has been determined, Netflix is said to be pushing for a less intense, more family-friendly PG classification, while Bird fully believes his film is PG-13. The main reason Netflix prefers PG is that a PG-13 rating would prevent the film from appearing in the Kids profile or Kids tab on Netflix, resulting in fewer clicks.

To get his passion project made, Bird made a deal with the devil, so to speak, which, as you know, comes with consequences. Still, a world premiere at the Toronto International Film Festival is very much a possibility for “Ray Gunn,” and if the reviews are strong enough to put it in contention for the Best Animated Feature Oscar, Netflix will likely stick to its usual strategy of giving the film a one-week limited theatrical run in New York and Los Angeles.

← Box Office: ‘Toy Story 5’ Holds Strong at $72M, ‘Supergirl’ Sinks With $38M Debut, and ‘Disclosure Day’ Won’t Make A ProfitChristopher Nolan Says Hollywood Needs More Risk-Taking: “The Biggest Risk is to Play it Safe” →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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