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M. Night Shyamalan Says ‘Lady in the Water' Is His Most Underrated Film

M. Night Shyamalan tells TheWrap that "Lady in the Water" is the film he most wants reappraised, calling it the closest fusion of his family-film and thriller sides.

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Sabrina Carpenter, Margaret Qualley Join Tom Holland's Fred Astaire Biopic

Qualley will play Adele Astaire, Fred's sister and his original dance partner. Carpenter takes on Ginger Rogers, the partner who helped turn Astaire into one of the most beloved screen stars ever.

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Curry Barker Says Netflix Wanted Straight-to-Streaming for ‘Obsession’ Before Focus Won the Bidding War

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Nathan Fielder's Elizabeth Holmes Doc ‘You Can See Everything' Is Rated R for “Graphic Nudity,” and It's Not Who You Think

It's rated R for "language" and, strangest of all, "graphic nudity." Who gets naked in this doc? It's left some puzzled, and for good reason.

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The 10 Best Movies I Saw at Venice and TIFF

The power has shifted to Cannes, or just not premiering your film at a festival. There were still some gems, though. Here are my ten favorites among the films I hadn't already seen.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Tom McCarthy’s ‘A Statement’ to World Premiere at 64th New York Film Festival

August 11, 2026 Jordan Ruimy

The New York Film Festival has unveiled the complete Spotlight slate, which includes a Jonathan Glazer-directed documentary, “Joy of Joys,” and the world premiere of Tom McCarthy’s “A Statement.”

The slate also includes the Palme d’Or winner Cristian Mungiu’s “Fjord,” Jordan Firstman’s “Club Kid,” Jesse Eisenberg’s “The Debut,” and Werner Herzog’s “Bucking Fastard,” the latter will follow its screenings in Venice Telluride, Toronto — it’s doing all four major fall festivals.

The Spotlight section was only recently created by NYFF to showcase films that didn’t make the prestigious Main Slate lineup. I wouldn’t put too much stock in reading these films as “not good enough” for Main Slate; they’re more likely just outside the selection committee’s more refined, auteur-driven tastes. That said, we should absolutely call Mungiu’s inclusion here a demotion: this is the first time he hasn’t cracked the Main Slate, and also the first time a Palme d’Or winner hasn’t made it in since 2015.

“A Statement” stars Paul Rudd, Paul Giamatti, Amy Ryan, and John Turturro. The film marks the return of McCarthy, a filmmaker we haven’t heard from in a while. It’s been five years since “Stillwater,” starring Matt Damon, premiered at Cannes to so-so reviews. McCarthy has since kept a low profile, seeing potential projects fall through, but he’s now back with this Sony Pictures Classics film.

Described as a “dramatic, darkly comic, true story,” the film chronicles the period when the climate change debate began to gain traction. Here’s the synopsis:

At a beachside resort in Florida in 1980, twenty experts gather for a weekend conference on a global issue that is starting to gain traction: the effects of CO₂ emissions on the climate. This group of scientists, activists, and policymakers have one simple mandate from Congress — write a statement about what to do. Easier said than done.

McCarthy, an actor-turned-director, of course helmed the 2015 Oscar winner “Spotlight,” and also directed three indie gems: “The Station Agent,” “The Visitor,” and “Win Win.” The lone missteps in his filmography remain “Stillwater” and the Adam Sandler-starring “The Cobbler.”

The 64th New York Film Festival runs from September 25–October 12. The complete Spotlight slate can be found below.

SPOTLIGHT SECTION: 

Godzilla Minus Zero (Takashi Yamazaki)
Bucking Fastard (Werner Herzog)
Club Kid (Jordan Firstman)
The Debut (Jesse Eisenberg)
Edward Said: Between Worlds (Maiken Baird)
Fjord (Cristian Mungiu)
Iron Boy (Louis Clichy)
Joy of Joys (Jonathan Glazer)
Making Marie Antoinette (Eleanor Coppola)
One More Time (Cindy Kleine and André Gregory)
The Only Living Pickpocket in New York (Noah Segan)
Sixteen Moments of My Life (Albert Serra)
A Statement (Tom McCarthy)

← ‘Josephine’ Trailer: Sundance Winner About a Child Witnessing Rape Sets November Release‘The End of Oak Street’ Early Reactions Are Very Strong: Did Warner Bros. Fumble Its $85M Dinosaur Movie? →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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