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DC Studios Boss Jeremy Latcham Wants More Faith-Inspired, Family-Friendly Movies

Now that Jeremy Latchman has replaced James Gunn and Peter Safran as DC Studios CCO, the guy’s past will now be scrutinized ad nauseam by online hordes, and it’s already started.

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Sebastián Lelio's Final Film ‘Chilean Poet' Was One Week From Wrapping When He Died

Lelio had been shooting his adaptation of Alejandro Zambra's acclaimed 2020 novel since September in Santiago. Production reportedly continued on November 5, the day before his death.

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James Gray: “You Don't Win Jacksh*t” at Cannes “If You're an American”

James Gray has never been one to bite his tongue, especially about Cannes, a festival he's had a love-hate relationship with for decades, and he’s certainly not about to start now.

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Alex Proyas Directing Antonio Banderas in ‘Cortés’, an “AI-Enabled” Epic, and His First Film in 10 Years

Alex Proyas, who directed “The Crow” and “Dark City,” and a full decade after “Gods of Egypt,” is currently shooting “Cortés” with Antonion Banderas in Paris.

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James Gunn Is “Incredibly Relieved" to Be Fired After “Trying” Four Years, Forgets ‘Supergirl’ Ever Existed

Hours after being shown the door at DC Studios, James Gunn has posted his farewell on Instagram. The gist? He never really liked the job anyway.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Josephine’ Trailer: Sundance Winner About a Child Witnessing Rape Sets November Release

August 11, 2026 Jordan Ruimy

What does it say about today’s climate that the one film which won multiple prizes and topped polls out of this past January’s Sundance Film Festival — Beth de Araújo’s “Josephine” — was picked up by a little-known distributor? No A24, no Neon, and certainly not MUBI.

Back in February, Sumerian Pictures — who? — acquired U.S. rights to the U.S. Dramatic Competition and Audience Award winner “Josephine” in a seven-figure deal, committing to a major theatrical release and awards campaign in the fall.

We now have a very effective trailer for “Josephine,” and this film is certainly going to be a tough watch for many. The story of an 8-year-old girl who witnesses a rape and the psychological toll she endures is not an easy sell.

The scene in question, which opens the film, has Josephine running in the park with her dad, witnessing a woman on a morning jog go into the park bathroom, followed in by a man who attacks, drags her outside, beats her, and rapes her — although shot from a distance, it is very graphic and hard to watch, all while Josephine is a witness to it, just staring.

The MPA stamped “Josephine” with an “R” a few months ago. I do wonder if the rape scene has been trimmed down for its release, not to mention its bow at TIFF next month, but it absolutely should not be edited down. The shock of seeing it lingers with the viewer for the rest of the film, and you are truly put into the state of mind of this young girl.

Starring Channing Tatum, Gemma Chan, Mason Reeves, Philip Ettinger, and Syra McCarthy, the drama was the buzziest title to debut at Sundance this year. Now, I’m sure Sumerian will try its best to push this one for awards contention, but man, as you can see in the trailer, it’s a gloomy account of a child stripped of her innocence.

Sumerian Pictures launched in 2025 and quickly picked up the TIFF breakout “Mile End Kicks” (underrated!). Its other films in the pipeline are ones I haven’t heard of: “Queen of the Ring,” “Turnstile: Never Enough,” and “The Wolf the Fox and the Leopard.”

“Josephine” hits theaters November 20.

← Parker Finn’s ‘Possession’ Remake Sets June 2027 Release at ParamountTom McCarthy’s ‘A Statement’ to World Premiere at 64th New York Film Festival →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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