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James Gray Is Now Writing Julia Roberts Thriller ‘Kill Your Darlings,’ Says ‘The Sun Also Rises' Would Cost $180 Million

James Gray is now speaking about what’s next. He’s given extensive updates on where many of his other projects stand. The news is promising for at least one of them.

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Variety Says ‘Clayface' Won't Break Even Theatrically

Based on previous trade reporting, we were under the assumption that "Clayface" would be in the green by the end of its run. Variety's sources claim it won't be.

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Ridley Scott's ‘Treasure Island' With Hugh Jackman Delays November Start as Director Recovers From “Medical Procedure”

November 1 was supposed to be the day Ridley Scott's "Treasure Island" started production. Scott said so himself back in August, and Sony even built its calendar around that start date.

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Werner Herzog's Next Documentary ‘Walk of Life' Follows Man Who Walked Home for 28 Years — Targets 2027 Premiere

Karl Bushby's trek was wild, to say the least. He set off from Punta Arenas, Chile, in November 1998, expecting the walk to take about 12 years. It took 28.

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‘You've Got Mail' Remake in the Works at Warner Bros. — Why? Because David Ellison Loves IP

Of all the '90s studio comedies that could use a remake, Warner Bros., under David Ellison's IP-hungry leadership, has decided the one that needs redoing is Nora Ephron's "You've Got Mail,"

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box Office: ‘Toy Story 5’ Holds Strong at $72M, ‘Supergirl’ Sinks With $38M Debut, and ‘Disclosure Day’ Won’t Make A Profit

June 28, 2026 Jordan Ruimy

UPDATE: Quite incredibly, Supergirl‘s numbers have only gotten worse, and it’s now expected to earn just $38M this weekend after a $10M Saturday. What can I say? Speechless. I predict James Gunn will probably disappear from social media and stop posting—or at least I hope so.

Meanwhile, “Michael” has become the highest-grossing biopic of all time, earning over $977M at the global box office and surpassing “Oppenheimer”. It could reach the $1 billion mark within the next week or two, as it is currently performing exceptionally well in Japan.

EARLIER: “Toy Story 5” should have a decent 55% drop this weekend, easily staying in the top spot at the box office. It took $21M on Friday and is now estimated to earn $72M in its second weekend, pushing it past $300M domestically.

The bigger story this weekend is, of course, “Supergirl,” which grossed $10M on Friday, in addition to around $8M from Wednesday/Thursday previews. A $38M domestic opening weekend is now projected. The budget was $186M.

The film sits at 57% on Rotten Tomatoes, 78% with audiences, a B- CinemaScore, and just a 52% definite recommend rating on PostTrak. That projected $38M opening would be lower than both “The Marvels” and “Morbius.” In the UK, its numbers are on the same level as “Madame Web” and “The New Mutants.”

“Obsession” will finish third this weekend with around $10M and will reach $235M domestically and $370M worldwide by late Sunday. In fourth place is the other major new release, Paramount’s “Jackass: Best and Last,” which made $3.7M across 2,855 locations on Thursday and Friday and is tracking for an $8.4M opening weekend. That’s a disappointment for Paramount, as the previous film, “Jackass Forever,” released in February 2022, opened to $22M.

The budget for “Jackass: Best and Last” was only $10M, and audience scores have been strong — an A- CinemaScore and an 85% Rotten Tomatoes audience score — so the film may still have good legs. Regardless, I think Paramount’s marketing was very weak, which must have contributed to the film opening 70% lower than the previous instalment.

It’s becoming clearer by the day that Steven Spielberg’s “Disclosure Day” will not turn a profit. The original sci-fi film is expected to decline another 60% this weekend and still won’t reach the $100M domestic milestone, with its North American total projected to stand at $93M by Sunday. Worldwide, it has grossed just over $193M. Produced on a reported $115M budget, the film would need roughly $300M worldwide to break even, according to industry estimates cited by the trades.

Spielberg’s return to summer blockbuster filmmaking was not expected to underperform to this extent. His last unequivocal box office hit was 2018’s “Ready Player One,” which earned $607M worldwide. It certainly doesn’t help “Disclosure Day” received mixed reactions from audiences — word-of-mouth driven legs was not going to happen for this film.

← Tony Kaye Revisits the ‘American History X’ Final Cut Battle in ‘Humpty Dumpty X’Brad Bird is Pushing Netflix to Release ‘Ray Gunn’ in Theaters: “I Don’t Know If They’re Listening” →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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