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Mel Gibson Says ‘Lethal Weapon 5’ Could Finally Happen After Paramount’s Warner Bros. Takeover

Gibson is now 70 and his co-star, Danny Glover, is 80, but more pertinently, Glover has Alzheimer’s — which complicates everything. Gibson remains undeterred. They do call him Mad Mel for a reason, you know.

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Lars Von Trier Has Almost Completed the Screenplay For His Final Film

Lars Von Trier is working on the 15th—and likely final—film of his career, “After,” and according to his producer, Peter Aalbæk Jensen, the screenplay is supposed to be completed this month

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

Gibson isn’t shooting the sequels in Aramaic and Latin. They’re in English. He now explains the decision, saying the material became too complicated to ask audiences to process through subtitles.

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David Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters

Paramount/Skydance’s David Ellison is making a big promise to theater owners as he tries to get that proposed $110 billion Warner Bros. Discovery deal across the finish line.

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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Project Hail Mary’ Originally Had Massive 4-Hour Cut

March 27, 2026 Jordan Ruimy

For any of you complaining that “Project Hail Mary” was too damn long—and in my positive review I did mention the middle section does drag a tad—it could have been a lot worse.

Directors Phil Lord and Chris Miller recently appeared on the Happy Sad Confused podcast and revealed they initially screened a four-hour cut of the film to a group of director friends, and that feedback was “embarrassing.” The main complaint? Too damn long.

Our first official test screening went great, but we do a lot of earlier screenings for friends and family and other filmmakers and writers. This movie was massive. When we finally got the assembly cut down to under four hours long, we subjected some filmmaker friends of ours to a three-hour and 45-minute cut of the movie, which was embarrassing.

Lord noted that the feedback the directing duo got was unanimous: “Get it way shorter.”

“You just don’t know how the scenes are going to land with an audience,” Lord said. “We thought everything was charming, but some of those charming things didn’t land. It made it really easy to get it down to three hours.”

Back in June 2025, a cut of over three hours had screened. Then, just over a month before release, I had heard it was down to 2 hours 45 minutes, so there might have been an additional last-minute trim. The final runtime ended up being 2 hours 36 minutes.

Amazon/MGM allowing Lord and Miller this kind of leeway with the runtime shows they were confident in what they had. It also suggests that the filmmaking duo weren’t afraid to take their time exploring the story’s intricacies and character arcs. That’s a rarity these days in major studio filmmaking.

Take, for example, 2025—the only Hollywood movies that exceeded the 160‑minute mark were “Avatar: Fire and Ash” (195 minutes), “Mission: Impossible — The Final Reckoning” (170 minutes), and “One Battle After Another” (162 minutes). It’s rare for a big-studio release to have this lengthy a runtime. You only get a few films each year that really swing for the fences like this, and “Project Hail Mary” is our first one of 2026.

← Alexandre Desplat is Scoring ‘The Social Reckoning,’ Replacing Reznor and RossJohn Hannah Set to Return for ‘The Mummy 4,’ Shoots This Fall →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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