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Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters

Clockwork announced that “The Devils” has been rated NC-17 by the MPA, which, as far as I’m concerned, is basically free marketing. Much of the audience anticipating this release was hoping for this rating.

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First Look: Andrew Haigh’s ‘A Long Winter’ to Screen at Telluride, TIFF and NYFF — Follow-Up to ‘All of Us Strangers’

For Haigh, the film feels like an “endpoint” in his career so far. Shot on film with DP André Turpin, “A Long Winter” was filmed in the Calgary wilderness, the same area used for “The Revenant.”

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Jacob Elordi Joins Ari Aster’s ‘Scapegoat’ Opposite Scarlett Johansson at A24

Jacob Elordi is set to co-star opposite Scarlett Johansson in “Scapegoat,” the upcoming thriller from Ari Aster, who is directing from his own script. A24, which has released his past four films, will distribute.

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Alfonso Cuarón Returns to TV With Horror Thriller ‘Ascension’ at Apple — Hasn’t Directed A Movie in Eight Years

The good news is that Cuarón is only writing “Ascension,” meaning he won’t be tied up with directing duties and should still have room in his schedule for a long-awaited return to cinema.

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LOL: ‘Magic Mike XXL’ Named Greatest Sequel of All-Time by IndieWire

Cue the ragebait — which is precisely what IndieWire intended when putting together their list of the 100 Best Sequels Ever Made, published this morning.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Alexandre Desplat is Scoring ‘The Social Reckoning,’ Replacing Reznor and Ross

March 28, 2026 Jordan Ruimy

We have no idea how Aaron Sorkin’s “The Social Reckoning,” a sequel to “The Social Network,” is going to go. There are some skeptics surrounding the project, with most of the complaints surrounding who is not coming back.

Making a sequel to a modern classic is always risky business. On one hand, yes, you have Sorkin, who wrote “The Social Network,” back penning the sequel, and Jeff Cronenweth is also returning as DP. However, David Fincher, who brought his usual obsessive direction to the 2010 film, is being replaced by Sorkin himself. You also have Jeremy Strong replacing Jesse Eisenberg as Mark Zuckerberg.

Now comes the news that Alexander Desplat will score the follow-up, which means Trent Reznor and Atticus Ross aren’t coming back.

Some of Desplat’s best-known works include the music for “Birth,” “The Tree of Life,” “The Grand Budapest Hotel,” and “The Shape of Water.” He also composed the score for two films last year, Guillermo del Toro’s “Frankenstein” and Wes Anderson’s “The Phoenician Scheme”; the latter was his seventh collaboration with Anderson.

As for Cronenweth, he is a Fincher alum, although he hasn’t worked with him since 2014’s “Gone Girl.” Fincher’s very recognizable visual palette began when he hired Cronenweth as cinematographer for “Fight Club.” The pair later collaborated on “The Social Network,” “The Girl With the Dragon Tattoo,” and “Gone Girl.”

Sony Pictures describes “The Social Reckoning” as a “companion piece” to 2010’s “The Social Network.” As mentioned, Strong will step into the role of Mark Zuckerberg, previously played by Jesse Eisenberg, while the story will focus on Frances Haugen (Mikey Madison), the whistleblower whose leaks to The Wall Street Journal exposed numerous issues at Facebook. Notably, Haugen has argued that “Facebook played a role in enabling the events of January 6.”

Sorkin’s “The Social Reckoning” is set to hit theaters on October 9, 2026.

← ‘Project Hail Mary’ With Staggering $53M Second Weekend, 34% Drop‘Project Hail Mary’ Originally Had Massive 4-Hour Cut →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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