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Lars Von Trier Has Almost Completed the Screenplay For His Final Film

Lars Von Trier is working on the 15th—and likely final—film of his career, “After,” and according to his producer, Peter Aalbæk Jensen, the screenplay is supposed to be completed this month

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

Gibson isn’t shooting the sequels in Aramaic and Latin. They’re in English. He now explains the decision, saying the material became too complicated to ask audiences to process through subtitles.

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David Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters

Paramount/Skydance’s David Ellison is making a big promise to theater owners as he tries to get that proposed $110 billion Warner Bros. Discovery deal across the finish line.

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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Westworld’ Movie Greenlit at Warner Bros. With David Koepp; Steven Spielberg Rumors Circulate …

May 11, 2026 Jordan Ruimy

Here’s a report that Warner Bros. is moving ahead with a new Westworld film, written by David Koepp, reworking the original 1973 concept created by Michael Crichton.

The project is described as a fresh cinematic take on the foundational idea of “Westworld”—a high-tech theme park where guests interact with lifelike androids in a staged Old West environment, until the system breaks down and the robots turn dangerous.

Now, what’s hidden inside Deadline’s report is that a “major filmmaker” is circling this project…

Koepp, who wrote Spielberg’s upcoming “Disclosure Day,” previously adapted Crichton’s “Jurassic Park” for the filmmaker. Add in the fact that Spielberg has been teasing a western as his next film, and I believe we’re onto something here.

Here’s how Spielberg described this mysterious upcoming Western of his, back in March:

Can’t reveal anything right now, but I have a western in development… and it kicks ass […] There will be horses. There will be guns. There will be no tropes, I can tell you that. There’s going to be no stereotypes.

This “Westworld” rumor just makes a lot of sense, and given how “Disclosure Day” is still a month away from release, I gather that if Spielberg is indeed involved, nothing will be officially announced until after that.

The 1973 film “Westworld,” written and directed by Crichton, and starring Yul Brynner as the Gunslinger, is a science fiction thriller set in a highly stylized Wild West theme park where guests pay to live out frontier fantasies. It is heavily structured as a western on the surface—complete with dusty towns, saloons, gunfights, and a classic gunslinger figure—but all of it is artificial, performed by lifelike androids.

Koepp’s script is being positioned as a standalone reimagining rather than a continuation of the film, or recent “Westworld” HBO series, which ran four seasons before being canceled and later removed from the platform. Instead, this new version is being developed as a separate interpretation of Crichton’s original story, focusing again on the core idea of subverting the western and the concept of artificial intelligence in a controlled entertainment environment gone wrong.

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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