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Lars Von Trier Has Almost Completed the Screenplay For His Final Film

Lars Von Trier is working on the 15th—and likely final—film of his career, “After,” and according to his producer, Peter Aalbæk Jensen, the screenplay is supposed to be completed this month

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

Gibson isn’t shooting the sequels in Aramaic and Latin. They’re in English. He now explains the decision, saying the material became too complicated to ask audiences to process through subtitles.

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David Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters

Paramount/Skydance’s David Ellison is making a big promise to theater owners as he tries to get that proposed $110 billion Warner Bros. Discovery deal across the finish line.

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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Masters of the Universe’ Faces Soft $25M Debut Against Massive $200M Budget

May 11, 2026 Jordan Ruimy

Early box-office tracking for the upcoming Amazon/MGM-produced “Masters of the Universe” is not good, with pre-sales hinting at a $25M opening weekend. That figure is obviously weak considering the film reportedly carries a whopping production budget of $200M.

A basic but crucial question: Who is this movie actually for? Is it meant to appeal to kids, who have little to no connection to He-Man, or to adults who grew up with the toys and cartoon? It turns out most of the early interest in “Masters of the Universe” seems to be coming from older male audiences who grew up with the franchise — but that demographic is not usually seen as a major driver of box-office success.

Anytime a film has this type of audience identity crisis, it’s worth flagging. A family movie needs clarity and accessibility. Right now, it’s unclear who “Masters of the Universe” is trying to satisfy. Is there even an audience large enough to care about this IP?

Notice that Jared Leto is part of the cast — he’s become something of box-office poison in recent years. It seems as though anything he’s attached to struggles to find an audience: from “Morbius,” which flopped, to “House of Gucci,” which underperformed, to “Tron: Ares,” which bombed. His involvement doesn’t automatically doom a film, of course, but in a high-stakes, $200M blockbuster like “Masters of the Universe,” it’s yet another gamble.

However, here’s a potential twist that could shake up these numbers: “Masters of the Universe” has actually been testing very well, which makes sense since it was directed by Travis Knight, who did wonders with “Kubo and the Two Strings” and managed the unthinkable by directing a well-reviewed Transformers movie, “Bumblebee.”

Hopefully, for Amazon’s sake, the current numbers can improve through strong reviews and word of mouth, but as it stands, the current outlook places the film well behind “Scary Movie 6,” which is projected to open with roughly $45M+ on the same weekend. Meanwhile, the $10M-budgeted “Backrooms” is tracking at $25M despite costing far less.

“Masters of the Universe” is set to be released theatrically in the U.S. on June 5.

← Christopher Nolan Confirms Lupita Nyong’o Will Play Helen of Troy and Clytemnestra in ‘The Odyssey’Cannes Defends Male-Heavy Lineup: “Films Are Chosen for Quality →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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