I trust director James Ashcroft’s instincts—he directed the underrated 2021 horror-crime indie “Coming Home in the Dark” and 2024’s “The Rule of Jenny Pen,” both of which are sharply vicious.

“Mayday,” reportedly finished since mid-2024, has been sitting in limbo ever since. There’s been no clear indication of creative trouble—no rumors of reshoots, and test screenings were positive.

Searchlight Pictures has finally decided that “Behemoth!” will hit theaters on Friday, December 4. It’s a prime awards season slot for a film with sky-high expectations.

The film might be 2 hours and 45 minutes. However, there’s a catch. The “final cut is unlikely to be locked this far in advance.” THR frames it as “not final,” a placeholder, if you will.

There were earlier reports that “Nova” might be introduced as a Disney+ series, but apparently the character is finally being considered for a theatrical debut. Good idea?

Here’s our first look at Tony Gilroy’s “Behemoth!” via Vanity Fair, with Pedro Pascal front and center in the lead role. A trailer will be released online later this week.

There were some limitations in Christopher Nolan’s decision to shoot “The Odyssey” entirely with IMAX cameras, to the point that he was forced to keep the film under three hours.

The coalition includes attorneys general from Arizona, California, Colorado, Connecticut, Massachusetts, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon, and Washington.

Paramount Pictures has secured U.S. rights to Wes Craven’s original screenplay for “A Nightmare on Elm Street” and plans to develop a reboot based on the classic horror IP.

Flanagan’s latest horror IP project, “Carrie,” another adaptation of a Stephen King novel, will arrive as an eight-episode limited series for Amazon Prime, premiering this fall.

Serkis says that digitally recreating or de-aging actors using AI is acceptable if their likenesses are licensed, framing it as an extension of visual effects rather than a replacement for actors.

This is the most un-Cruise-like role since he played studio boss Les Grossman in “Tropic Thunder.” Here, he transforms into a Southern-talking, potbellied, washed-up oil baron.

In a statement shared on Neill’s Instagram profile, his loved ones said the actor died “with the dignity that has characterised his whole life.”

Paramount CEO David Ellison and his advisers are considering relocating the company's headquarters and redirecting much of its planned $30 billion in annual spending elsewhere if California ultimately sues to block the deal.

That $125 million figure is understated. The numbers seem far too optimistic given the film’s massive budget. My best guess is that, at a minimum, we’re looking at $200M in losses.

Finally, after much hoopla, we’ll finally get our first look at Tom Cruise’s transformation tomorrow morning at 9 a.m. ET, when the trailer for Alejandro González Iñárritu’s “Digger” hits online.

Some thought it would flop; others believed the controversies surrounding the legend would be its kryptonite. Yet here we are, and “Michael” is now a $1 billion movie.

It turns out that connecting “The Odyssey” to “The Last Temptation of Christ” is not far fetched. Nolan screened Scorsese’s masterpiece for his cast and crew before shooting his latest film.

Joe and Anthony Russo aren’t “finding the movie in the edit.” Apparently, when they shot the movie, everything felt great, but now that they’re editing, they’re discovering some issues.

I don’t care if the Cannes Film Festival ended a month ago; I still wanted to write a recap about the films I saw, and yet it never happened, until now.