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Ben Affleck's ‘Animals' Is the Most Baffling Movie of the Year. WTF Was That?

I briefly mentioned Ben Affleck's "Animals" yesterday, but I need to get more into it, because this thing, now streaming on Netflix, is one of the most baffling efforts I've seen from a serious director in a long time.

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James Gray Disowns His First Three Films, Says ‘Two Lovers’ His First True Movie

At a Q&A this morning, Gray said "Two Lovers" was the first film he made with creative control. He was far less kind about the three before it, "Little Odessa," "The Yards" and "We Own the Night."

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‘The Social Reckoning' Flops With $5M Opening and B- CinemaScore as Mikey Madison Hints at Sorkin Tension

Let's start a "reader's thoughts" thread in the comments below. It's not limited to 'Social Reckoning.' There are many notable films playing. What did you see this weekend?

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‘Wildwood’ Earns Raves: “The Most Beautiful Stop-Motion Film Ever Made"

Laika's “Wildwood” premiered at the BFI London Film Festival, and the reviews are rapturous. They're also clearly stronger than the reception for the festival's other big animated premiere.

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Nicolas Cage Says He Never Agreed to ‘National Treasure 3,' Pitches Epstein Files Sequel Instead

Back in August, director Jon Turteltaub claimed "National Treasure 3" was finally happening, with Cage. The cheers were loud. The headlines were everywhere. Turns out, nobody told Nic.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Moana’ Projected to Lose $125M, According to Deadline and Variety — Probably Much More

July 12, 2026 Jordan Ruimy

Here are the trades carrying Disney’s water.

With Disney’s live-action “Moana” off to a disastrous start, opening to just $43M domestically against a reported $250M production budget and an estimated $145M marketing spend, Deadline and Variety report that if its theatrical run follows a trajectory similar to “Snow White” (2025), Disney could face losses of roughly $100–125M after accounting for box office revenue and ancillary income.

It’s quite a coincidence that both trades are reporting the exact same loss figure, especially when the underlying numbers don’t appear to add up. It raises questions about whether Disney is influencing the narrative behind the scenes.

I really think that “$100-$125 million loss” figure is understated. That number seems far too optimistic given the film’s massive budget and soft opening weekend, not to mention its poor overseas performance. My best guess is that, at a minimum, we’re looking at $200M in losses—maybe more.

Think about it: the 2.5× rule is a useful benchmark for estimating a film’s break-even point. For “Moana,” that would put the break-even threshold at around $625M worldwide. Given that it earned only $95M globally on its opening weekend and is now projected to finish with roughly $250M-$300M worldwide, it’s safe to say the theatrical losses will be significantly higher than $100M.

It certainly doesn’t help that Dwayne Johnson, who stars as Maui in the film, received a $20M upfront salary for the remake. However, he will likely not collect any additional backend compensation, as his contract reportedly stipulates that “Moana” must first break even before he is eligible for a percentage of the profits.

Of course, post-theatrical revenue streams—such as home entertainment, television licensing, streaming value, and merchandise—will likely reduce the film’s reported losses. But we’re talking purely about its theatrical performance here. That raises a good question: is the “Moana” brand beginning to fade?

Releasing a live-action remake so soon after “Moana 2”—which grossed more than $1 billion worldwide despite mixed reviews—likely created audience fatigue. Disney would have been better off focusing on developing animated sequels instead of revisiting the original story in live action.

Around this time last year, many wondered whether, after the whole “Snow White” debacle, Disney would be forced to rethink its plans for future live-action adaptations such as “Tangled.” The project was initially put on hold following “Snow White,” but resumed pre-production a few months later and is now filming for a 2028 release. Maybe, in the end, that wasn’t such a good idea.

← David Ellison Considers Moving Paramount Out of California if State AG Sues to Block Warner Bros. Merger‘Digger’ Trailer Tomorrow! →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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