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Netflix Says David Fincher Is Why ‘Mindhunter’ Never Got Season 3, Contradicting the Director’s Account

There have even been fan petitions circulating to convince Netflix to bring it back. Maybe those fan petitions should have been directed at Fincher instead.

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Mike Leigh Says ‘Tender Loving Care’ Is “Almost Certainly” His Final Film: “I’m Now Somewhat Handicapped”

He explains that even if another film were approved, “it wouldn’t get made for two years,” leaving him uncertain about “what state I’ll be in at 85, if I’m still here.”

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Inde Navarrette Auditioned for ‘Heat 2,’ But Sources Say She Was Never Offered the Role

A person with knowledge of the situation suspects Navarrette’s reps may have helped leak the “Heat 2” narrative to Page Six: she was never offered the role in the first place.

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Sacha Baron Cohen’s ‘Ali G’ Faces “Racist” Backlash as UK Cinema Chain Has “No Plans” to Screen Film

Picturehouse Cinemas, a UK cinema chain, have confirmed they will not screen “Ali G: Who Iz I?” In October — a decision that comes amid a campaign accusing the character of racist stereotypes.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Moana’ Projected to Lose $125M, According to Deadline and Variety — Probably Much More

July 12, 2026 Jordan Ruimy

Here are the trades carrying Disney’s water.

With Disney’s live-action “Moana” off to a disastrous start, opening to just $43M domestically against a reported $250M production budget and an estimated $145M marketing spend, Deadline and Variety report that if its theatrical run follows a trajectory similar to “Snow White” (2025), Disney could face losses of roughly $100–125M after accounting for box office revenue and ancillary income.

It’s quite a coincidence that both trades are reporting the exact same loss figure, especially when the underlying numbers don’t appear to add up. It raises questions about whether Disney is influencing the narrative behind the scenes.

I really think that “$100-$125 million loss” figure is understated. That number seems far too optimistic given the film’s massive budget and soft opening weekend, not to mention its poor overseas performance. My best guess is that, at a minimum, we’re looking at $200M in losses—maybe more.

Think about it: the 2.5× rule is a useful benchmark for estimating a film’s break-even point. For “Moana,” that would put the break-even threshold at around $625M worldwide. Given that it earned only $95M globally on its opening weekend and is now projected to finish with roughly $250M-$300M worldwide, it’s safe to say the theatrical losses will be significantly higher than $100M.

It certainly doesn’t help that Dwayne Johnson, who stars as Maui in the film, received a $20M upfront salary for the remake. However, he will likely not collect any additional backend compensation, as his contract reportedly stipulates that “Moana” must first break even before he is eligible for a percentage of the profits.

Of course, post-theatrical revenue streams—such as home entertainment, television licensing, streaming value, and merchandise—will likely reduce the film’s reported losses. But we’re talking purely about its theatrical performance here. That raises a good question: is the “Moana” brand beginning to fade?

Releasing a live-action remake so soon after “Moana 2”—which grossed more than $1 billion worldwide despite mixed reviews—likely created audience fatigue. Disney would have been better off focusing on developing animated sequels instead of revisiting the original story in live action.

Around this time last year, many wondered whether, after the whole “Snow White” debacle, Disney would be forced to rethink its plans for future live-action adaptations such as “Tangled.” The project was initially put on hold following “Snow White,” but resumed pre-production a few months later and is now filming for a 2028 release. Maybe, in the end, that wasn’t such a good idea.

← David Ellison Considers Moving Paramount Out of California if State AG Sues to Block Warner Bros. Merger‘Digger’ Trailer Tomorrow! →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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