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Jane Schoenbrun Really Wants to Direct ‘Nightmare on Elm Street’ Reboot: “I’m Trying to Get A Meeting”

Beyond the fact that ‘Camp Miasma’ plays like a meta tribute to ‘80s horror slashers, it’s easy to understand why Schoenbrun would want a crack at the franchise.

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‘The Social Reckoning’ Trailer: Jeremy Strong Has Zuckerberg Down, But Can Sorkin Escape Fincher’s Shadow?

A new trailer for Aaron Sorkin’s “The Social Reckoning” has dropped online. I believe this is the same one I saw recently in theaters. Regardless, I’m still not sold on this thing.

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‘The Uprising’ Drops ‘Robin Hood’ Title After Chaotic 24 Hours

Focus is back to just calling the film “The Uprising” in the new trailer, while the UK distributor is outright denying that it’s a Robin Hood movie.

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Zach Cregger’s ‘Resident Evil’ Rated R for “Strong Bloody Violence,” Uses First-Person POV to Recreate the Game

“Resident Evil” appears to be embracing first-person gameplay, with the film reportedly using the perspective across several action and horror sequences rather than as a one-off gimmick.

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Chris Hansen Buys Ads Before Every Screening of ‘Primetime’

Moviegoers heading out to see the Robert Pattinson-starring A24 movie, based on Hansen, the “To Catch a Predator” host, will apparently be greeted by Hansen himself on-screen.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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David Ellison Considers Moving Paramount Out of California if State AG Sues to Block Warner Bros. Merger

July 12, 2026 Jordan Ruimy

California Attorney General Rob Bonta's attempt to derail Paramount's proposed $110 billion merger with Warner Bros. Discovery has reportedly prompted internal discussions about whether the company should move its business operations out of California.

According to Semafor’s sources, Paramount CEO David Ellison and his advisers are considering relocating the company's headquarters and redirecting much of its planned $30 billion in annual spending elsewhere if Bonta ultimately sues to block the deal.

Gee, I wonder who could have possibly leaked this veiled threat to Semafor...

California has already had to contend with several major corporations, including Chevron, Oracle, and Tesla, relocating their headquarters out of the state in recent years following disputes with regulators. The last thing the state needs is for one of the major Hollywood studios to leave as well.

Paramount has repeatedly attempted to reach an agreement with Bonta's office, reportedly offering legally binding commitments to produce 30 films per year, maintain a 45-day theatrical window followed by a 90-day streaming window, and keep both the Paramount and Warner Bros. studio lots operating in California.

According to sources, Paramount has grown increasingly frustrated with what it describes as Bonta's “unwillingness to engage.” The company argues that the combined entity would preserve and create jobs while investing roughly $30 billion annually in content at a time when film and television production has steadily migrated to other states and countries. Bonta, meanwhile, has publicly expressed concerns about potential job losses and higher prices resulting from the merger, although Paramount insists regulators around the world have largely concluded that the deal poses no meaningful antitrust concerns.

Regulators in other jurisdictions have reportedly cleared the Paramount-Warner Bros. Discovery transaction, and many within Ellison's circle believe Bonta's reluctance to negotiate is driven more by politics than by legitimate antitrust concerns.

Hey, given California's regulatory climate, Paramount moving out of the state is entirely plausible. It would be a devastating blow, especially after the departures of other major companies. I don't believe the threat to move is merely a negotiating tactic aimed at pressuring Bonta. If you're familiar with the Ellisons' history, you'll know this is an entirely credible threat, and the message being sent is unmistakable.

← Sam Neill, Beloved ‘Jurassic Park’ and ‘The Piano’ Actor, Dies at 78‘Moana’ Projected to Lose $125M, According to Deadline and Variety — Probably Much More →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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