The phone call must not have gone well, as Scorsese’s efforts to organize a follow-up discussion have since stalled. The ADG is very angry.

Two weeks out, how are we feeling about this one? Christopher Nolan’s “The Odyssey,” which hits theaters on July 17, recently started screening for press attending junkets. Film critics will get to see Nolan’s epic on July 13.

TheWrap previously reported that Netflix wanted “Ray Gunn” to receive a more family-friendly PG rating, while Bird believed the film should be rated PG-13.

The cast for the “Ocean’s Eleven” prequel keeps growing. Now comes word that Monica Barbaro has joined the ensemble, which already included Bradley Cooper, Margot Robbie, and Wagner Moura.

With Callum Turner and Margaret Qualley already cast as the married couple, news has now broken that Paul Dano is in talks to join the cast.

Rogen spoke about the emotional toll professional criticism has had on his mental health, arguing that public reviews can feel far more personal and damaging than most people realize.

Since 2024 (!), I’ve collected well over 400 critics’ ballots—and counting—asking a simple question: What is the greatest, most towering screen performance, male or female, of the 21st century?

Hardy met with producers in London to “hash out their issues,” leading to a mutual agreement. A third season has not been officially announced yet, but the show is expected to return soon.

An official announcement of Neon’s acquisition of “Artificial” is expected within the next 24–48 hours, and could also include a potential release date.

Josh Brolin is telling Empire Magazine that he almost quit Ridley Scott’s “The Dog Stars” after being unsettled by Scott’s unusual way of making the film

Chalamet voices Joe, an “introverted rocket mechanic who lives a quiet life alone,” according to a press release, while Gomez plays Fran, a “brilliant astro-botanist who is developing the world’s first-ever plant-fueled rocket.”

Although it flew under the radar in 2024, “Kneecap,” the unconventional biopic about the Irish-language hip-hop trio, impressed Netflix enough to hire director Rich Peppiatt for a period-set epic.

Officially, Andy Muschietti is still attached to direct “The Brave and the Bold,” but many have speculated about his potential exit ever since the failure of “The Flash.”

There seems to be confusion about today’s contradictory reporting on how much money “Supergirl” actually stands to lose, and that’s precisely what Warner Bros. wants.

In case you didn’t know this wild story, Rinsch defrauded Netflix out of $11M. The money was part of a $61M deal the streamer struck with him in 2019 for his sci-fi project “Conquest/White Horse.”

With half the year done, I guess we can talk, albeit very speculatively, about the Best Picture Oscar contenders that have been screened so far. There aren’t many.

We now live in a world where Uwe Boll is being described as a “bold” and “fearless” filmmaker online for making a film that nobody in their right mind would dare make in Hollywood.

“Maika [ Monroe] is back for this, and [cinematographer] Mike [Gioulakis], and the editor, Julio [Julio C. Perez IV],” as well as Disasterpiece who will once again compose the score.

This new cut will feature 15 minutes of bonus footage and be retitled “Backrooms: Everything Must Go Edition.” The new version will run 2 hours and 6 minutes.

Netflix is still holding tight to “Gore,” ready since 2017, the long-buried biopic starring Kevin Spacey as Gore Vidal, with zero interest in selling it off.