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Tomi Adeyemi Distanced Herself From ‘Children of Blood and Bone’ After Clashing With Lead Amandla Stenberg

Adeyemi’s relationship with lead Amandla Stenberg reportedly fell apart after the actress publicly discussed the author’s support of her casting.

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Aunjanue Ellis-Taylor Supports Will Smith’s Oscars Slap, Says Free Speech Shouldn’t Protect “Assholes”

Aunjanue Ellis-Taylor has one of the hottest of hot takes. The Oscar nominee, who played Will Smith’s wife in “King Richard,” says she completely understands why her co-star slapped Chris Rock at the Oscars.

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What’s Your Most Anticipated Movie of the Fall 2026 Season?

I’ve narrowed down the hundreds upon hundreds of films that will screen this fall to 34 titles—vote for your most anticipated.

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‘Supergirl’ AI Backlash Grows After Warner Bros. Removes Viral Video

An officially released Warner Bros. featurette showing director Craig Gillespie using generated AI during pre production has gone viral, and raised questions about the rest of the film.

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Ramy Youssef Directing A24 Feature ‘Martha,’ With Josh Safdie Co-Writing — Shoots in October

I’m hearing that comedian Ramy Youssef is attached to direct his first feature for A24, with Josh Safdie coming aboard as co-writer on the screenplay.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Supergirl’ Is on Track to Become One of the Biggest Box Office Bombs of the Century — $160M+ in Losses?

June 29, 2026 Jordan Ruimy

The failure of “Supergirl” is all anybody wants to talk about, and for good reason. A $37M domestic opening and $63M worldwide against a $186M budget mean a heavy loss for Warner Bros.

Of course, Warner Bros., well known for spinning numbers to the trades, much like it did with “Superman” and “One Battle After Another,” is now, quite laughably, telling them that “Supergirl” only needs to make $300M–$315M to break even, which is absolutely ridiculous and not based in any sort of reality. Even if we were to believe Warner Bros., “Supergirl” would still not come close to hitting the $300M mark, as most of the trades project it to stall at a lifetime gross of $200M to $210M globally.

Warner Bros. muddying the waters—telling Variety the break-even point is $300M, then telling The Wrap it’s $315M, and then whispering to THR that it’s actually $275M—will not help shape any positive narrative out of the hole it has dug for itself with DC Studios chiefs James Gunn and Peter Safran.

There seems to be confusion about today’s contradictory reporting on how much money “Supergirl” actually stands to lose, and that’s precisely what Warner Bros. wants. No one definitive figure—just muddy the waters. Make the mess purposely messier. With every trade being fed different numbers, the result is Deadline projecting $125M in losses, Variety saying $100M, and The Wrap putting it at $85M. It’s actually none of the above, and far worse than any of those claime.

And anyone who can do math knows all three projections are low. Realistically—and I’m feeling generous here—instead of using the tried-and-true 2.5x rule, I’ll simply take the budget ($186M) and multiply it by two, which gives us a $372M break-even point (even though it’s likely much higher). With the projected $210M gross “Supergirl” is expected to earn—which will likely be much less—that leaves Warner Bros. facing $162M in losses on this film. And that’s me being generous, giving them a break, when we all know the actual number will be even higher.

That generous $162M loss would place “Supergirl” among the top seven or eight biggest money losers of the 21st century, inflation notwithstanding. The only films that have lost more money: “John Carter” ($250M), “The Lone Ranger” ($240M), “The Marvels” ($230M), “Strange World” ($200M), “Joker: Folie a Deux” ($200M), “Mortal Engines” ($160M+), and “Snow White” ($150M+).

That’s how disastrous “Supergirl” has become for Gunn, Safran, and Warner Bros. The sheer magnitude of this debacle will be talked about for years to come, and could have lasting consequences for DC Studios.

← Tom Brittney Rumored as DCU’s Batman — James Gunn Eyes Directing ‘The Brave and the Bold’?‘47 Ronin’ Director Carl Rinsch Sentenced to 2.5 Years in Netflix Fraud Case →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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