• Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_1788.jpeg
‘Austin Powers 4' Is Happening? Mike Myers Says He's “Writing It Right Now"

Part of the reason a fourth 'Austin Powers' was never made is that Myers basically stepped away from the industry. After "The Love Guru" bombed in 2008, he all but disappeared from leading roles.

Read more →
IMG_1786.jpeg
‘Gatto’ Trailer: Pixar's Next Original Film Ditches Glossy CGI

"Gatto," featuring the voices of Mark Ruffalo, Laurence Fishburne, Enrico Casarosa, John Turturro, Jason Schwartzman, Isabella Rosellini, and Jason Mantzoukas, arrives in theaters on March 5, 2027.

Read more →
IMG_1785.jpeg
‘Avengers: Doomsday’ Has 10 Credited Writers, Including Ryan Reynolds and Hugh Jackman

The WGA directory has updated its listing for "Avengers: Doomsday," and the final tally is a whopping ten writers on “Avengers: Doomsday.”

Read more →
IMG_1784.webp
Johnny Depp's ‘Ebenezer' Gets Mixed Reviews, 52% Rotten Tomatoes, Eyes $23M Opening Weekend

Given the low budget, “Ebenezer” will probably amount to a win for Depp. For West, I hope this was a one-time paycheck before he goes back to R-rated filmmaking.

Read more →
IMG_1783.jpeg
Brad Pitt to Star in Darius Marder's ‘Connector' for Apple, the ‘Sound of Metal' Director's First Film in Seven Years

The story takes place in 1970s New York and follows a working-class legend, a "sky-walking" ironworker who takes on forces much bigger than himself. Pitt as a blue-collar hero in '70s Manhattan? Sold.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Yearly Top Tens
  • Interviews

‘Supergirl’ Is on Track to Become One of the Biggest Box Office Bombs of the Century — $160M+ in Losses?

June 29, 2026 Jordan Ruimy

The failure of “Supergirl” is all anybody wants to talk about, and for good reason. A $37M domestic opening and $63M worldwide against a $186M budget mean a heavy loss for Warner Bros.

Of course, Warner Bros., well known for spinning numbers to the trades, much like it did with “Superman” and “One Battle After Another,” is now, quite laughably, telling them that “Supergirl” only needs to make $300M–$315M to break even, which is absolutely ridiculous and not based in any sort of reality. Even if we were to believe Warner Bros., “Supergirl” would still not come close to hitting the $300M mark, as most of the trades project it to stall at a lifetime gross of $200M to $210M globally.

Warner Bros. muddying the waters—telling Variety the break-even point is $300M, then telling The Wrap it’s $315M, and then whispering to THR that it’s actually $275M—will not help shape any positive narrative out of the hole it has dug for itself with DC Studios chiefs James Gunn and Peter Safran.

There seems to be confusion about today’s contradictory reporting on how much money “Supergirl” actually stands to lose, and that’s precisely what Warner Bros. wants. No one definitive figure—just muddy the waters. Make the mess purposely messier. With every trade being fed different numbers, the result is Deadline projecting $125M in losses, Variety saying $100M, and The Wrap putting it at $85M. It’s actually none of the above, and far worse than any of those claime.

And anyone who can do math knows all three projections are low. Realistically—and I’m feeling generous here—instead of using the tried-and-true 2.5x rule, I’ll simply take the budget ($186M) and multiply it by two, which gives us a $372M break-even point (even though it’s likely much higher). With the projected $210M gross “Supergirl” is expected to earn—which will likely be much less—that leaves Warner Bros. facing $162M in losses on this film. And that’s me being generous, giving them a break, when we all know the actual number will be even higher.

That generous $162M loss would place “Supergirl” among the top seven or eight biggest money losers of the 21st century, inflation notwithstanding. The only films that have lost more money: “John Carter” ($250M), “The Lone Ranger” ($240M), “The Marvels” ($230M), “Strange World” ($200M), “Joker: Folie a Deux” ($200M), “Mortal Engines” ($160M+), and “Snow White” ($150M+).

That’s how disastrous “Supergirl” has become for Gunn, Safran, and Warner Bros. The sheer magnitude of this debacle will be talked about for years to come, and could have lasting consequences for DC Studios.

← Tom Brittney Rumored as DCU’s Batman — James Gunn Eyes Directing ‘The Brave and the Bold’?‘47 Ronin’ Director Carl Rinsch Sentenced to 2.5 Years in Netflix Fraud Case →

FOLLOW US!

Newsletter Block
This newsletter signup form needs a storage option. Edit the block and enter a storage location via the Storage tab.

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_1593.jpeg
Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

Read more →
IMG_1581.jpeg
James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

Read more →
IMG_1467.jpeg
Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

Read more →
IMG_1454.webp
Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026